• COHN, Neil (2013). The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images. Bloomsbury Advances in Semiotics. EISNER, Will (2008). Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. Will Eisner Instructional Books. EISNER, Will (2008). Graphic Storytelling and Visual Narrative. Will Eisner Instructional Books. MCCLOUD, Scott (1994). Understanding Comics: The Invisible Art. MCCLOUD, Scott (2006). Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. William Morrow Paperbacks. MCKEE, Robert (1997). Story: Style, Structure, Substance, And the Principles of Screenwriting. HARPERCOLLINS.  
  • Illustration and Drawing
  • 6330
  • 23171
  • Sequential Image I
  • IPLUSO6330-23171
  • 2
  • 4
  • 0
  • 4
  • Não
  • Português
  • Presentation of exercises by the teacher with demonstration of examples and methodologies; collective critical analysis at the end of classes on all the work done. 20% Producing a short comic (1/2 pages) 50% Producing a short comic (4 pages) 20% Producing a promotional poster for the comic book 10% - Continuous Assessment: participation, attendance, and presence (75%) whose non-compliance requires examination. The exam consists of the presentation of all exercises made during the semester (50%) and the answer to the exam exercise (50%).
  • Mandatory
  • The general objective of this introductory course is to present the sequential illustrated narrative and encourage students to develop relevant projects as illustrators. The specific objectives are: ¿ Understanding the specific principles of visual storytelling for correct communication through comics; ¿ Introduction to the concept and practice of thumbnailing and storyboarding; ¿ Introduction to the concept and practice of the comics medium;
  • 1) DESIGN AND PRODUCTION OF 2 COMICS Comic book art vocabulary notions (layout options and grids for building the page, double page relationship, rhythm, scale of shots for the panels, comic book typography and onomatopoeia, ballooning); Comics pre-production: scriptwriting, character design, scenarios and thumbnailing; Comic book production: penciling, inking, balloons/subtitles, onomatopoeia, color, pagination in suitable software, and design; Exporting for print and web.   2) PROMOTIONAL POSTER Notions of design (relationships between image and text); Production of a poster to promote the visual narrative.
  • Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.

    Exemplo:

    Descrição

    Data limite

    Ponderação

    Teste de avaliação

    dd-mm-yyyy

    30%

    Portfolio

    dd-mm-yyyy

    40%

    (...)

     

     

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

  • Semestral
  • The main area of intervention is the sequential art of comics.