Portrait and Anatomy

Category: Discipline
  • Não
  • Curricular unit dedicated to the exploration of human anatomy and portraiture.
  • Semestral

  • Esta UC segue um método de avaliação contínuo e presencial. Ponderação da Avaliação:
    . Trabalhos práticos: 75%
    . Diário Gráfico: 15%
    . Assiduidade, participação e pontualidade: 10%
    De acordo com o Regulamento de Avaliação da IES, é mandatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.
    Exame de Recurso:
    O exame de recurso será dividido em duas partes: um exame prático que contará 50% e a apresentação de todos os trabalhos realizados ao longo do semestre, que também terá um peso de 50%.

     

    This course unit employs a continuous and in-person assessment method. Assessment Weighting:
    . Practical assignments: 75%
    . Sketchbook: 15%
    . Attendance, participation, and punctuality: 10%
    In accordance with the Assessment Regulations of the Higher Education Institution, it is mandatory for students to meet a minimum attendance requirement for passing the course unit. Failure to comply with this requirement will necessitate taking an examination.
    Resit Exam: The resit exam will be divided into two parts: a practical exam accounting for 50% and the presentation of all work completed throughout the semester, which will also carry a weight of 50%.
  • . History of Portraiture: From Antiquity to Contemporary Times. . Foundations of Artistic Anatomy: Structural lines, proportions, positive and negative space, perspective and scale in anatomical representation, encompassing concepts such as anatomical planes, musculature, and skeletal systems.  .Modes of Drawing: Sketch, draft, detail, and nuance. .Techniques of Representation: Light, shadow, texture, and expression. . Exploration of a Variety of Mediums: Including graphite, charcoal, ink, and digital platforms. . Study of the Human Face: Characteristics, emotions, and individuality. . Maintenance of a visual diary as a record of the creative and investigative process throughout the semester
  • The course aims to equip students with a deep understanding of human anatomy, emphasizing its application in the creation of accurate and artistically expressive portraits. The intentions are: . To endow students with both theoretical and practical knowledge regarding human anatomical structure. . To cultivate technical skills in portraiture, taking into account proportion, perspective, and technique. . To foster a critical appreciation of the representation of the human body in art, namely by presenting the Portrait as a genre (of Painting) and its developments. The pedagogical approach merges theory and practice, ensuring that students grasp anatomical concepts and apply them in the context of artistic creation, in alignment with the proposed objectives, and understand portraiture as an ancient practice in the history of art.
  • Optional
  • The course unit aims to integrate theory and practice in the study of human anatomy and its artistic representation. The syllabus is organized in a logical and systematic progression, facilitating the achievement of these objectives. The historical approach to portraiture provides students with a cultural and aesthetic context that serves as a foundation for critical understanding of human representation in art. Exploration of the fundamentals of artistic anatomy leads to the acquisition of both theoretical and practical knowledge about human anatomical structure. This approach is complemented by the instruction of drawing and representation techniques. The study of the human face, along with its individualized and emotional characteristics, aligns with the objective of developing specific technical skills in portraiture.
  • Português
  • . Bammes, Gottfried. (1990). L'étude du corps humain. Dessain et tolra. . Goldfinger, E. (2004). Anatomia Humana para Artistas. Edições Contraponto. . Gombrich, E. H. (2001). A História da Arte. Editora LTC. . Hale, R. (1977). Drawing Lessons from the Great Masters. Watson-Guptill. . Lauricella, Michell. (2018). Anatomia Artística. Editorial Gustavo Gili, SL. . Lauricella, Michell. (2018). Anatomia Artística 2: como desenhar o corpo humano de forma esquemática. Editorial Gustavo Gili, SL. . Loomis, A. (2021). Figure drawing for all it's worth. Clube de Autores. . West, S. (2004). Portraiture. OUP Oxford. . White, J. (2011). The Artist's Guide to Human Anatomy. Dover Publications. . 3DTotal (2022). Beginner's guide to creating portraits: Learning the essentials & developing your own style. 3DTotal Publishing.
  • 4
  • 1262
  • 5
  • 1
  • IPLUSO7066-26055
  • Portrait and Anatomy
  • 26055
  • 7066
  • Visual Artes and Digital Media

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