Visual Culture
- Details
- Category: Discipline
- Não
- Visual culture is the discipline that will provide students with a broad knowledge of visual art, from the beginnings of humanity to the present day, through critical and historical concepts that contribute to a broad understanding of the images that we routinely see and manipulate.
- Semestral
O recurso à Inteligência Artificial não é considerada uma ferramenta de trabalho nesta UC, sob qualquer circunstância, uma vez que esta UC visa exercitar no estudante a capacidade de adquirir e desenvolver a sua cultura visual de modo a poder construir um discurso próprio, coerente e reflexivo sobre objetos visuais e a visualidade contemporânea, aplicando os fundamentos teóricos abordados na aula a exemplos práticos. Neste sentido, assume-se que todas as adversidades que poderão surgir (bloqueios, dificuldade em organizar o pensamento, o discurso, aplicar e articular conceitos e ideas, etc.) fazem parte do processo de aprendizagem e devem resultar do exercício e esforço intelectual, e natural, do estudante, de quem se espera uma gradual aprendizagem e melhoramento destes aspectos ao longo do semestre.
A avaliação é contínua, sendo composta por:
50% Discussões orais, e relatórios escritos ao longo das aulas, de tópicos dos conteúdos programáticos em articulação textos da bibliografia.
· 40% Teste escrito sobre os conteúdos programáticos.
· 10% Avaliação contínua, intercalar e final com critérios de assiduidade (75% de presenças), participação e pontualidade.
A avaliação em época de recurso implica a realização de uma Prova Oral.
A avaliação em época especial implica a apresentação oral dos trabalhos solicitados ao longo da disciplina, seguida de uma prova oral .
Os critérios gerais de avaliação desta UC centram-se:
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na integridade e autenticidade intelectual, académia e artística;
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na capacidade de articulação de conceitos e procedimentos provenientes da Cultura Visual e da interpretação de imagens;
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atenção e participação nos debates em aula;
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realização de trabalho autónomo;
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capacidade de formular questões relativas aos conteúdos programáticos e estabelecer relações críticas entre os mesmos;
Os critérios específicos de cada exercício serão explicitados em cada enunciado e de acordo com a tipologia e objetivos de cada exercício que pode alterar de ano para ano.
The use of Artificial Intelligence is not considered a work tool in this subject, under any circumstances, since this subject aims to exercise the student’s ability to develop their critical thinking and thereby to improve their own artistic identity and authenticity. In this sense, it is assumed that all adversities that may arise (blockages, difficulty in organizing thought, speech, applying and articulating concepts and ideas, etc.) are part of the learning process and must result from the exercise of an intellectual and natural effort developed by the student, from who is expected to gradually learn and improve these aspects throughout the semester.
The assessment is continuous, consisting of:
50% Oral discussions and written reports throughout the lessons on topics from the syllabus in articulation with texts in the bibliography.
40% Written test on the syllabus contents.
10% Continuous, mid-term and final assessment with criteria of attendance (75% attendance), participation and punctuality.
Assessment during the appeal period involves carrying out an Oral Test.
Assessment during the special period involves the oral presentation of the work requested throughout the course, followed by an Oral Test.
The general evaluation criteria for this Curricular Unity focus on:
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intellectual, academic and artistic integrity and authenticity;
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in the ability to articulate concepts and procedures from Visual Culture and the interpretation of images;
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attention and participation in class debates;
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carrying out autonomous work;
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ability to formulate questions regarding the syllabus and establish critical relationships between them;
The specific criteria for each exercise will be detailed in each exercise statement according to the type and objectives of the exercise which may change yearly.
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- Introduction to Visual Culture: Visual literacy and the culture of the gaze; Visual paradigms; Gender and gaze; Culture, image and mediation; Semiotics and Signs. Reciprocity between cinema and other artistic fields: Literature, Theatre, Painting, Music, Dance, Photography, Video Art, Architecture. Images, power and politics: Visual Technologies; The myth of photographic truth; Connotation and meaning of images; Images, Ideology and icons; Cultural Industries; Politics of reproducibility.
- To understand the term Visual Culture as an interdisciplinary field of study. To provide a general knowledge of the history of images (production techniques and composition methods) so that the student is able to recognize an image and identify it with the time of its production. To know and apply basic concepts related to the analysis of visual culture in art, photography, cinema or advertising. To interpret the content of images, to analyze their social impact and discuss their purposes and ideological implications. To develop analytical and critical skills in relation to works or artistic objects that show formal intertextuality.
- Mandatory
- The teaching methodology consists of oral and visual presentation (Slideshow, movies and documentaries, artworks) followed by debate in class . The discussion and learning process is based on the analysis and study of artistic objects, from painting to photography, cinema, video art, installations and advertising. Students carry out practical reflection exercises and in-class written reports in which the methods and theories covered in class are applied. All teaching materials will be available on Moodle in advance and will be assigned to each weekly lesson. Students are advised to consult them beforehand so that they are prepared to discuss and ask questions in class(Fliped Classroom). In addition, Moodle is also the platform for communication and interaction with students regarding announcements, lesson planning, the distribution of assignments and the timetable for the various assessment moments.
- Português
- BARTHES, Roland, Retórica da Imagem, “Retórica da Imagem”, in O óbvio e o obtuso, Lisboa: Edições 70,1984 BERGER, John, Modos De Ver. Rio de Janeiro: Rocco,1999 ELKINS, James, Visual Cultures. Chicago: Intellect Books,2010 FOSTER, Hal, Vision and Visuality, Seattle, Bay Press, 1988 JOLY, Martine, Introdução à Análise da imagem, Lisboa: Edições 70, 2007 MEDEIROS, Margarida;CASTRO, Teresa,“O Que É a Cultura Visual?” Revista de Comunicação e Linguagens, 2017,pp. 1–7 MIRZOEFF, Nicholas: Introduction to Visual Culture, London: Routledge, 2009 STURKEN, Marita; CARTWRIGHT,Lisa: Practices of Looking. An Introduction to Visual Culture,Oxford: Oxford U. Press, 2003 ROSE, Gillian, Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, 2011
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- IPLUSO6142-7243
- Visual Culture
- 7243
- 6142
- Audiovisual Content Production