Multidisciplinary Illustration Project I
- Details
- Category: Discipline
- Não
- The course develops technical and creative skills in scientific and book illustration, combining rigor, creativity, and critical reflection through the application of various techniques and research methods.
- Semestral
A avaliação nesta unidade curricular é estruturada em três componentes principais. Os projetos, que constituem 65% da avaliação final, são avaliados com base no trabalho desenvolvido ao longo do semestre. Estes projetos são uma manifestação prática das competências adquiridas, abrangendo tanto a técnica como a aplicação de teorias e conceitos pertinentes à ilustração. O diário gráfico, contribuindo com 25% para a nota final, serve como uma ferramenta de reflexão e documentação do processo criativo e investigativo. Este diário deverá evidenciar a trajetória de aprendizagem e desenvolvimento do estudante. A assiduidade, pontualidade e participação ativa dos estudantes durante as aulas compõem os restantes 10% da avaliação. Este critério destaca a importância do envolvimento contínuo e ativo no processo de aprendizagem.
75% Trabalho de aula (diário gráfico 25%) e Projeto (50%). 15% Portefólio 10% Assiduidade, participação e pontualidade.
De acordo com o Regulamento de Avaliação da IES, é mandatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.
Exame de Recurso:
O exame de recurso será dividido em duas partes: um exame prático que contará 50% e a apresentação de todos os trabalhos realizados ao longo do semestre, que também terá um peso de 50%.
The assessment in this course unit is structured around three main components. Projects, which constitute 65% of the final assessment, are evaluated based on work developed throughout the semester. These projects serve as a practical manifestation of acquired competencies, encompassing both technical skills and the application of theories and concepts relevant to illustration. The sketchbook, contributing 25% to the final grade, functions as a tool for reflection and documentation of the creative and investigative process. This sketchbook should evidence the student's trajectory of learning and development. Attendance, punctuality, and active participation during classes make up the remaining 10% of the assessment. This criterion highlights the importance of continuous and active involvement in the learning process.
75% Classwork (graphic diary 25%) and Project (50%). 15% Portfolio 10% Attendance, participation and punctuality.
In accordance with the Assessment Regulations of the Higher Education Institution, it is mandatory for students to meet a minimum attendance requirement for passing the course unit. Failure to comply with this requirement will necessitate taking an examination.
Resit Exam: The resit exam will be divided into two parts: a practical exam accounting for 50% and the presentation of all works completed throughout the semester, which will also carry a weight of 50%.
- Introduction to the specificities and thematic scope of both scientific illustration and book illustration; Exploration of various illustration techniques, including digital, watercolor, painting, and mixed media; Critical analysis and discussion of works by illustrators to promote the definition of students' authorial voice; Study of composition principles in illustration, encompassing concepts such as balance, proportion and framing; Guidance on research methods applicable to the development of illustration projects; Planning, research, and execution of an independent project in scientific illustration, with a focus on maintaining rigor and accuracy. The preparation of an explanatory text will be a component of this project; Planning and execution of a independent book illustration project, focusing on the composition of text and image; Maintenance and final presentation of a graphic diary, record of the creative and investigative process throughout.
- . To develop specialized competencies in two distinct domains of illustration: scientific illustration and book illustration; . To equip students for the application of various illustration techniques, including digital, watercolor, painting, and mixed media, while maintaining the scientific rigor applicable in the field of scientific illustration; . To stimulate an authorial attitude, encouraging students to develop a unique personal style; . To foster the ability to articulate issues, themes, and concepts from creative fields, consolidating a critical and self-reflective discourse; . To promote the application of compositional principles in the creation of illustrations, including aspects such as balance, proportion and framing; . To introduce research methods that culminate in the production of explanatory texts attached to the works; . To encourage the maintenance of a sketchbook as a form of graphic documentation of the creative process.
- Mandatory
- The teaching-learning process in this course unit adopts a theoretical-practical approach. Examples and exercises will be presented aimed at the practical application of concepts and techniques and the theoretical and practical understanding of students in illustration. This will foster the exploration and application of various illustration techniques in specific contexts. Group discussions and critical analyses of works by illustrators serve as platforms for the development of an authorial voice and a critical, self-reflective discourse. These moments also offer opportunities for students to articulate their ideas, receive feedback from peers and the instructor, and adjust their approaches accordingly. These projects will be supported by specific research methods, culminating in the production of an explanatory text that integrates and complements the work of a scientific nature. The sketchbook will function as both a pedagogical and evaluative instrument.
- Português
- . Anderson, G. (2029). Drawing as a Way of Knowingin Art and Science. Intellect Ltd. . Arnheim, R. (1998). Arte e Percepção Visual: Uma Psicologia da Visão Criadora. Pioneira. . Dressendörfer, W. (2022). The new herbal. Taschen. . Galda, L., e Short, K. G. (1993). Children's Books: Visual Literacy: Exploring art and illustration in children's books. The Reading Teacher, 46(6), 506-516. . Hodges, E. R. S. (2003). The Guild Handbook of Scientific Illustration. John Wiley & Sons. . Male, A. (2017). Illustration: A Theoretical & Contextual Perspective. Bloomsbury Visual Arts. . Salisbury, M., e Styles, M. (2012). Children's Picturebooks: The Art of Visual Storytelling. Laurence King Publishing. . Sullivan, G. (2010). Art Practice as Research: Inquiry in Visual Arts. SAGE Publications. . Zeegen, L. (2012). The Fundamentals of Illustration (2ª ed.). AVA Publishing.
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- IPLUSO6947-3-26024
- Multidisciplinary Illustration Project I
- 26024
- 6947
- Drawing