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Organizational Communication

Details
Category: Discipline
  • Não
  • This curricular unit allows us to identify the main concepts and theories that explain the activity developed by organizational actors, focusing on individual and interpersonal processes that occur in an organizational context. Its main areas of intervention are: Organizational Communication; Organizational Behavior; Conflict Management.
  • Semestral
  •  

    Descrição

    Data limite

    Ponderação

    Participação e trabalhos contínuos

    Ao longo do semestre

    30%

    Trabalho individual ou de grupo

    A definir

    30%

    Teste final

    A definir

    40%

     

     

     

  • The Science of Organizational Behavior Organizational Communication Levels of analysis of intervention in Organizational Behavior Conflict Management
  • This curricular unit aims to provide students with a theoretical and practical framework fundamental to the understanding of human behavior from a psychological and social point of view in an organization. It is also intended to analyze and interpret the various techniques for approaching human behavior, in order to promote the ability to understand the different realities and, consequently, understand the practices leading to the improvement of contexts.
  • Mandatory
  • Priority is given to the use of the expository method and active methodologies in situations in which it is intended to involve students, through their participation, in the themes addressed. Curriculum evaluation will be carried out through a written test and a practical work with oral presentation, in accordance with the timetable and syllabus of the CU.
  • Português
  • Cunha et al (2016). Manual de Comportamento Organizacional e Gestão (8ª Ed). Editora RH; Rego, A (2022). Comunicação Pessoal e Organizacional: Teoria e Prática (5ªEd). Edições Silabo; Teixeira, S. (2022). Gestão das Organizações (4ª Ed), Escolar Editora; Lampreia, J. (2013). Ferramentas de Comunicação para Gestores. Lidel; Almeida, V. (2003). A comunicação interna na empresa. Áreas Editora.  
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  • 1
  • IPLUSO3562-18841
  • Organizational Communication
  • 18841
  • 3562
  • Administrative Management of Human Resources

Dissertation

Details
Category: Discipline
  • Não
  • Curricular unit dedicated to the completion of a theoretical or theoretical-practical master's dissertation.
  • Semestral
  • A apresentação de Provas públicas tem duas componentes: 1) Apresentação da exposição do projeto artístico e 2) apresentação oral com um discurso explicativo e resumido do trabalho de dissertação perante um júri de avaliação e um público. A avaliação final da Prova pública é dada pelo júri numa escala de zero a vinte que tem uma equivalência qualitativa. As provas públicas são precedidas por uma reunião com todos os elementos do júri para decidirem se o documento de dissertação está em condições para ser defendido. Em caso afirmativo seguem-se as provas; em caso negativo, o estudante é informado das alterações de melhoria que deve fazer e voltar a apresentar o documento numa data posterior. Nesta altura, é novamente realizada uma reunião com todos os elementos do júri para decidirem se o documento de dissertação já se encontra em condições para ser defendido. Caso um membro do júri ou o estudante se encontre ausente do país ou impedido de estar presente na Prova de Defesa, é possível, com o acordo de todos (júri e estudante), realizar a prova a distância.

  • Develop, complete and defend the Master's dissertation in Visual Arts. Conclusion of the body of work in visual arts, with the respective documentary photography for inclusion in the dissertation document, exhibition to the public or, in case of impossibility, construction of a virtual visit using devices for this purpose, or present a visual report or a portfolio. Writing of the dissertation obeying the institutional rules for formatting the document, regarding its structure: cover, originality statement, index, development, conclusion, indication of bibliographic data according to the indicated norms, full and correct information about the images used). Public defense of the investigation.
  • General objectives. This CU aims to achieve a master's thesis for each student who can articulate (theoretical-practical dissertation) or not (exclusively theoretical dissertation) a body of artistic work, under the guidance of a professor and, eventually, the co-supervision of other professors pertinent to the subject to be investigated. Specific objectives. Development of the dissertation document and an exhibition where the application of research procedures on and through the arts and their philosophical, ethical and practical implications is assessed, in awareness of the links between context, theory and practice in artistic research. Planning, execution and public defense of the master's thesis as an artistic, academic and written research project, aligned with quality and originality criteria, relevant in the field of contemporary art and visual culture.
  • Optional
  • This phase of the master's research has a weekly follow-up of two hours by the supervisor to ensure that the student has an intellectual follow-up both in writing and in the production of the work. This monitoring ensures that the dissertation document has the quality required to be defended and is written according to the required standards. It also ensures that the student develops a body of work consistent with their theoretical-conceptual research. The assessment of theoretical-practical research work (or theoretical, if this is the student's choice) is made through public tests and with a jury of three or more elements whose training is strictly linked to the main scientific area of the study cycle or relevant to the matters investigated.
  • Português
  • ADAMS, L. S. (2019). The Methodologies of Art: An Introduction – 2nd Edition. Abingdon: Routledge. CALLAWAY, H. (1981).” Women's perspectives: Research as re-vision”. In Human inquiry: A sourcebook of new paradigm research, pp. 457-471. NY: Wiley & Sons. CANDY, L., EDMONDS, E (2018). “Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line”. Leonardo 51 (1): 63–69. DAICHENDT, G. J. (2011). Artist Scholar: Reflections on Writing and Research. Bristol: Intellect Ltd. EAVY, P. (2017). Research Design: Quantitative, Qualitative, Mixed Methods, Arts-Based, and Community-Based Participatory Research Approaches. NY: The Guilford Press. FORMAGGIO, D. (1985). Arte. Oeiras: Editorial Presença. Williams, G. (2014). How to Write About Contemporary Art. Londres: Thames & Hudson. SCHEURICH, J. J. (1997). Research method in the postmodern. Londres: The Falmer Press. SULLIVAN, G. (2005). Art practice as research: Inquiry in the Visual Arts. Thousand Oaks, CA: Sage.
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  • 1263
  • 30
  • 2
  • IPLUSO7066-3157
  • Dissertation
  • 3157
  • 7066
  • Visual Artes and Digital Media

Seminar in Art Research

Details
Category: Discipline
  • Não
  • Curricular unit dedicated to developing critical reflection skills on contemporary art.
  • Semestral
  • Os estudantes deverão realizar um trabalho de investigação teórico-prático com vista ao desenvolvimento de um projeto pessoal de criação artística, documentando o processo de reunião de informação, estabelecimento de uma metodologia, ensaios e inflexões no processo. O trabalho final deve ser apresentado à turma e defendido teoricamente pelo estudante, valendo o trabalho produzido 30% da avaliação final e a apresentação pública 30% da avaliação final; os restantes 40% referem-se à qualidade de participação nas aulas, sobretudo nos momentos de debate crítico e reflexão conjunta com o docente ao longo do semestre.

  • 1. 1.1. In-depth notions of art and visual culture; 1.2. Critical analysis of European and American cultures in the 20th century: study of issues related to modernity and avant-garde: ephemeral action, break with tradition and hybridity; 1.3. Presentation, analysis and discussion of the notion of contemporary times and the museum crisis. 2. Visual Culture and contemporary political and aesthetic debates: 2.1. Artistic production and contemporary movements: civil rights, feminism, migrations, communitarianism and minorities, queer culture, post-colonialism and decolonialism; 2.2. Disciplines and communicational and technological hybridization. 3. Artistic production methodologies 3.1. The global communication society and the web: particularisms and aesthetic hegemonies; documentation and appropriationism; transmediality; 3.2. The theoretical and laboratory processes of individual projects: organization of information, experimentation and possibility of formalization and exhibition.
  • Each topic is studied with the program support the observation of art and cultural objects (texts, films, ...) in the classroom and in the exercise of drafting critics. The aim of the course focuses on the skills of reflection on the contemporary art, good observation and interpretation of cultural elements produced by different social worlds, deepening the relationship with the arts in various domains and multiple instances of communication.
  • Mandatory
  • Theoretical-practical study based on the analytical and critical observation of paradigmatic works of contemporary art, accompanied by the contextualized study of circles of community, minority or peripheral artistic production in the global context; study and analysis of seminal contemporary texts by authors, theorists and artists of our time, exploring their relationship with the history of visual culture and politicalsocial history; study of documents and documentary films about artistic production and its relationship with new media and modes of communication in the digital economy; study of the web, social networks and virtual reality as new creative platforms.
  • Português
  • Alpers, Svetlana. ; “The Museum as a Way of Seeing” in Exhibiting Cultures: The Poetics and Politics of Museum Display. Ivan Karp & Steven D.Lavine (eds.). , London: Smithsonian Institution Press. , 1999 (25-32.) Berman, Marshall; “Modernidade Ontem, Hoje e Amanhã” in Tudo o que é Sólido Dissolve-se no Ar. A Aventura da Modernidade., Lisboa: Edições 70., 1982 ( 15-40) Youngblood, Eugene; “The Artist as Ecologist” in Expanded Cinema, , 1970 (345-351.)
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  • 10
  • 1
  • IPLUSO7066-26049
  • Seminar in Art Research
  • 26049
  • 7066
  • Visual Artes and Digital Media

Theories of Art II

Details
Category: Discipline
  • Não
  • This curricular unit is dedicated to the development of critical thinking and writing about art, focusing on the analysis of works and concepts of contemporary visual arts through different theoretical and philosophical approaches.
  • Semestral
  • A avaliação é realizada combinando elementos de avaliação contínua (20%) e avaliação final (80%).
    A avaliação contínua compreende assiduidade (5%) e participação (15%) nas aulas.
    A avaliação final combina dois elementos:
    A) uma comunicação oral de 15 minutos partir de um tema proposto e formato de conferência, que inclui debate com colegas (25%);

    B) recensão crítica de um texto à escolha de acordo com os conteúdos lecionados (25%);
    C) ensaio escrito a partir de um tema previamente proposto, relacionado com as propostas dos conteúdos da UC, e desenvolvendo criticamente as questões abordadas (30%).
    São avaliadas as competências de escrita e utilização das referências transmitidas para a elaboração de todos os exercícios e trabalhos escritos. São avaliadas as competências de leitura e de interpretação do lido, pensamento crítico, organização de fontes e apresentação de diálogo com as leituras realizadas, articulação de conteúdos, estruturação do tema escolhido, e pertinência da integração dos temas trabalhados no contexto científico específico da área.
    As entregas são feitas por moodle de acordo com o calendário estabelecido para a unidade curricular (integrada no calendário letivo), definido entre a docente e os estudantes no início do respetivo semestre.
    De acordo com o Regulamento de Avaliação da IES, é obrigatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resulta na necessidade de prestação de exame.


    O exame de recurso é constituído pela realização de uma recensão crítica a um texto incluído nos conteúdos programáticos (50%) e uma prova oral.


    É esperado dos estudantes uma atitude de integridade académica relativamente às práticas de citação e no uso adequado de IA.

  • This CU continues Art Theory I. The contents are structured by bringing together the theories that underpinned the development of the visual arts during the 20th and 21st centuries and some of the thematic guidelines of contemporary art based on the writings of artists, texts by critics, philosophers, politicians and literary figures. Module 1 Materiality VS Immateriality: - Critique of the medium and the post-medium condition; -Rosalind Krauss and Yves-Alain Bois  Formlessness; - Didi-Huberman - Memory and Materiality - The idea of Materiality in Giuliana Bruno.   Module 2. Authorship Vs Participation: - Roland Barthes and the death of the author; - Gilles Deleuze and the Anti-Oedipus; - Claire Bishop and the concept of Participation.   Module 3. Sustainability, Community and Activism. - Tim Ingold, Subsistence, Housing and Skill; - Jacques Rancière and the Politics of the Sensible; - Guerrilla Girls and Judith Butler, Gender activism; - Climate activism, positions and contradictions.
  • General objectives: . To contextualize art theory in the history of art in conjunction with ideas and concepts from other areas of knowledge such as sociology, anthropology, politics and psychology; . To identify and distinguish between the fundamental theoretical frameworks that have molded the practice and theory of contemporary art from the perspective of a visual artist. Specific objectives: . To recognize the inherent theoretical problems of an aesthetic object; . Identify key aesthetic currents of the 20th and 21st centuries; . Interpret fundamental texts of art theory and relate them to artistic practices; . Examine and relate students' studio practice to art theory; . Develop well-informed aesthetic positions that reject, develop or support important theoretical issues related to art theory; . Debate and formulate theoretical discussions in groups and among peers.
  • Mandatory
  • The curricular unit's teaching and learning methodologies were designed in accordance with the institution's pedagogical model and the unit's specific objectives. In addition to the theoretical approach, through the exposition of content in class, with the aid of audiovisual materials, bibliography and access to support materials previously prepared by the lecturer (bibliography, audiovisual material, suggested events), all subjects are taught with the encouragement of critical dialogue, in the form of debates, visits to exhibitions and artists' studios and through the contribution of guests.
  • Português
  • . AA.VV. (2008) The Art of Participation – 1950 to Now. Sa?o Francisco: San Francisco Museum of Modern Art (Thames & Hudson). . BARTHES, Roland (1987) Rumor da Língua. Edições 70. .BRUNO, Giuliana (2014) Surface - Matters of Aesthetics, Materiality, and Media. Chicago: The University of Chicago Press. . BUTLER, Judith (2015). Senses of the Subject. Nova Iorque: Fordam University Press. . DELEUZE, Gilles e GUATTARI, Felix (2004) O Anti-E?dipo: Capitalismo e Esquizofrenia 1, Lisboa: Assi?rio e Alvim. . DIDI-HUBERMAN, Georges (2011). O que no?s vemos, o que nos olha. Porto: Dafne Editora. . INGOLD, Tim (2013). Designing environments for life. In Anthropology and natur. In HASTRUP, K., ed. Abingdon: Routledge, pp. 233-246. . KRAUSS, Rosalind (1999). Bachelors. Cambridge, Londres: The MIT Press, OCTOBER Books. . . RANCIE?RE, Jacques (2010). Este?tica e Politica – A Partilha do Sensi?vel. Porto: Imago.
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  • 1
  • IPLUSO7066-26050
  • Theories of Art II
  • 26050
  • 7066
  • Visual Artes and Digital Media

Dissertation Project Seminar

Details
Category: Discipline
  • Não
  • Curricular unit dedicated to research in art.
  • Semestral
  • Esta UC segue um método de avaliação contínuo e presencial. Ponderação da avaliação:
    Assiduidade, participação e pontualidade: 20% Meta-dissertação: 80%
    A meta-dissertação é avaliada por um júri composto pelos três docentes da unidade curricular. A avaliação sé baseada em critérios previamente estabelecidos e tem em conta a qualidade académica e artística do trabalho apresentado.
    De acordo com o Regulamento de Avaliação da IES, é obrigatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.
    Exame de Recurso:
    O exame de recurso é constituído pela apresentação do documento meta-dissertativo e de uma apresentação oral onde o estudante expõe a sua investigação realizada até ao momento.

  • Module 1: Investigation in Art 1.1. Artistic Investigation and Practice as Research 1.2. Theoretical Investigation 1.3. Intersection of Theoretical and Artistic Investigation 1.4. Specific Tools for Investigation in Art 1.5. Conceptualization and Translation of Artistic Investigation Module 2: Documentation and Presentation of Artistic Projects 2.1. Photographic and Videographic Record of Artworks and Artistic Processes 2.2. Archiving and Organization 2.3. Descriptive Memory and Captioning 2.4. Portfolio 2.5. The Role of Narrative in Artistic Documentation (Case Studies) 2.6. Meta-dissertation Module 3: Ethics in Artistic Practice and Research 3.1. Copyright and Intellectual Property 3.2. Ethics in Art Research 3.3. Consent and Representation 3.4. Making References in an Ethical and Academic Manner 3.5. Cultural and Contextual Considerations
  • . Acquire an understanding of research methodologies in art, both theoretical and practical; . Grasp the role of "Practice as Research" within the artistic context; . Develop skills for adequately documenting both the artistic process and its outcomes; . Learn to construct a descriptive account and a cohesive, impactful portfolio; . Gain deep comprehension of ethical considerations in artistic practice and research; . Understand and apply principles of copyright and intellectual property; . Develop a critical approach to evaluate relevant literature and artistic works, integrating such analysis into one's own research; . Enhance the capability to organize research and artistic materials, plan project execution, and manage time effectively; . Refine oral and written communication skills for presenting ideas and results in a clear and persuasive manner.
  • Mandatory
  • The teaching methodology of this curricular unit is based on three distinct methodological pillars, each contributing in a unique way to the student's comprehensive training. The first pillar is theoretical exposition. Each module is supported by theoretical classes, supported by audiovisual, bibliographic and other support materials prepared in advance by the teaching staff. The second pillar is tutorial guidance. In this context, teachers and supervisors work closely with students to establish research parameters and outline the final project, namely with the structuring of a well-structured me-dissertation document that must be developed in the 2nd semester. The third methodological pillar is the integration of invited experts.
  • Português
  • . Bury, S. (1995). Artists' books: the book as a work of art, 1963-1995. Scholar Press. . Sousa, G. (1988). Metodologia da Investigação, Redação e Apresentação de Trabalhos Científicos. Livraria Civilização. . Frada, J. J. C. (2005). Novo Guia Prático para a Pesquisa, Elaboração e Apresentação de Trabalhos Científicos e Organização de Currículos. Sete Caminhos. . Garner, S. (2008). Writing on Drawing: Essays on Drawing Practice and Research. Intellect. . Molina, J. J. G. (1999). Estrategias Del Dibujo en el Arte Contemporáneo. Cátedra. . Molina, J.J. G. (2005). Los Nombres del Dibujo. Cátedra. . Rose, G. (2022). Visual methodologies: An introduction to researching with visual materials. Visual methodologies, 1-100. . Shaw, I. (2008). Ethics and the practice of qualitative research. Qualitative social work, 7(4), 400-414. . Sousa, G. V. e (1988). Metodologia da Investigação, Redação e Apresentação de Trabalhos Científicos. Livraria Civilização Editora.
  • 4
  • 0
  • 30
  • 2
  • IPLUSO7066-26401
  • Dissertation Project Seminar
  • 26401
  • 7066
  • Visual Artes and Digital Media
  1. Dissertation / Artistic Project Work
  2. Financial Accounting I
  3. Information Technologies
  4. Transmedia Narratives

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