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Advanced Practices in Medical Nursing I

Details
Category: Discipline
  • Clinical Veterinary Nursing
  • 7019
  • 26436
  • Advanced Practices in Medical Nursing I
  • IPLUSO7019-26436
  • 1
  • 6
  • 0
  • 4
  • Não
  • Português
  • Semestral

Seminars

Details
Category: Discipline
  • Barata, J. (2017). A re(e)volução do vídeo no cinema e na TV (2a edição). Edições Universitárias Lusófonas. Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press. Lowengard, S. (2024). The Book of Colour Concepts. Taschen America Llc. Mateu-Mestre, M. (2010) . Framed Ink. Design Studio Press. Mateu-Mestre, M. (2021). Framed Ink 2: Frame Format, Energy, and Composition for Visual Storytellers. Design Studio Press. McCloud, S. (1994). Understanding Comics: The Invisible Art. HarperPerennial. McCloud, S. (2006). Making comics: storytelling secrets of comics, manga and graphic novels. HarperPerennial. Piekos, N. (2021). The Essential Guide to Comic Book Lettering. Image Comics Williams, R. (2009). The Animator's Survival Kit: Expanded Edition. Faber and Faber. Withrow, S., & Barber, J. (2005). Webcomics: Tools and Techniques for Digital Cartooning. Ilex.    
  • Experimental Illustration and Graphic Narratives (M) (IPLUSO)
  • 7162
  • 5491
  • Seminars
  • IPLUSO7162-2-5491
  • 1
  • 6
  • 0
  • 4
  • Não
  • Português
  • The sessions are conducted through interactive oral presentations, with questions posed for students to answer individually and collectively. The presentation of results by the student requires active participation in the learning process. It is the student's responsibility to research and investigate the seminar topics.
  • Mandatory
  • The general objective of the 9 seminars is to provide students with the knowledge and skills necessary to develop editorial projects such as illustrated albums, comics, artist's books, and more experimental publications. These projects should reflect on sequential visual narratives within a contemporary and interdisciplinary dynamic, targeted at specific audiences. The specific objectives are: to understand the various stages of production of an artistic editorial project and its promotion/dissemination in the artistic and editorial market; to recognize different ways of developing sequential visual narratives in contemporary contexts for different audiences and their potential for adaptation to other media; to acquire knowledge of legal and juridical issues for informed professionalization; and to innovate in creative proposals.
  • 9 sessions covering essential content related to the various phases of ideation, production, and dissemination of an editorial project, with a focus on sequential visual narrative for specific audiences. 1: Editorial Project Design and Planning: Pre-production, Production, Post-production, Dissemination and Promotion. 2: Color and Composition. 3: Speech Balloons and Lettering for Comics and Illustrated Books. 4: Digital Comics, Webtoons, Webcomics, and Motion Comics. 5: Audiovisual Narratives: Video and Animation. 6: Developing Target Audiences for Editorial and Transmedia Projects. 7: Audiovisual Narratives: Sequential Thinking to Communicate Ideas. 8: Legislation on Copyright, Intellectual Property Rights, Image Rights, Contracts and Other Legal Issues, ISBN and Legal Deposit. 9: Portfolio, Self-promotion, Online Presence, Graphic Identity.
  • 85% Um artigo académico ou ensaio visual ou banda desenhada ou zine ilustrado em formato documental sobre quatro dos 9 seminários, focando os pontos de maior interesse para o estudante.
    Critérios de avaliação para ensaio visual ou banda desenhada ou zine ilustrado em formato documental: inovação no objeto apresentado, criatividade gráfica, expressividade das ilustrações, rigor na linguagem textual e na adequação do vocabulário utilizado e na capacidade de síntese da explanação das ideias principais dos seminários escolhidos.

    Critérios de avaliação para o artigo académico: respeito pelas normas do modelo dado pelo regente; pertinência das imagens/ilustrações documentais e a sua correta legendagem, rigor na linguagem textual e na adequação do vocabulário utilizado e na capacidade de síntese da explanação das ideias principais dos seminários escolhidos. 15% Avaliação contínua: assiduidade (75% obrigatória), pontualidade e participação.

    O exame de recurso é constituído pela entrega do documento do semestre (50%) e pela apresentação oral de um dos seminários eleitos (50%).
    Em caso de dúvida (por plágio, uso inapropriado da IA, ou por entrega dos mesmos trabalhos em UC diferentes), o professor pode realizar uma prova extra.

     

     

     

  • Semestral
  • The general objective of the 9 seminars is to provide students with the knowledge and skills necessary to develop editorial projects such as illustrated albums, comics, artist's books, and more experimental publications. These projects should reflect on sequential visual narratives within a contemporary and interdisciplinary dynamic, targeted at specific audiences.

Visual Culture

Details
Category: Discipline
  • BARTHES, Roland, Retórica da Imagem, “Retórica da Imagem”, in O óbvio e o obtuso, Lisboa: Edições 70,1984 BERGER, John, Modos De Ver. Rio de Janeiro: Rocco,1999 ELKINS, James, Visual Cultures. Chicago: Intellect Books,2010 FOSTER, Hal, Vision and Visuality, Seattle, Bay Press, 1988 JOLY, Martine, Introdução à Análise da imagem, Lisboa: Edições 70, 2007 MEDEIROS, Margarida;CASTRO, Teresa,“O Que É a Cultura Visual?” Revista de Comunicação e Linguagens, 2017,pp. 1–7 MIRZOEFF, Nicholas: Introduction to Visual Culture, London: Routledge, 2009 STURKEN, Marita;  CARTWRIGHT,Lisa: Practices of Looking. An Introduction to Visual Culture,Oxford: Oxford U. Press, 2003 ROSE, Gillian, Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, 2011
  • Audiovisual Content Production
  • 6142
  • 7243
  • Visual Culture
  • IPLUSO6142-7243
  • 1
  • 4
  • 0
  • 4
  • Não
  • Português
  • The teaching methodology consists of oral and visual presentation (Slideshow, movies and documentaries, artworks) followed by debate in class . The discussion and learning process is based on the analysis and study of artistic objects, from painting to photography, cinema, video art, installations and advertising. Students carry out practical reflection exercises and in-class written reports in which the methods and theories covered in class are applied.  All teaching materials will be available on Moodle in advance and will be assigned to each weekly lesson. Students are advised to consult them beforehand so that they are prepared to discuss and ask questions in class(Fliped Classroom). In addition, Moodle is also the platform for communication and interaction with students regarding announcements, lesson planning, the distribution of assignments and the timetable for the various assessment moments.
  • Mandatory
  • To understand the term Visual Culture as an interdisciplinary field of study. To provide a general knowledge of the history of images (production techniques and composition methods) so that the student is able to recognize an image and identify it with the time of its production. To know and apply basic concepts related to the analysis of visual culture in art, photography, cinema or advertising. To interpret the content of images, to analyze their social impact and discuss their purposes and ideological implications. To develop analytical and critical skills in relation to works or artistic objects that show formal intertextuality.
  • Introduction to Visual Culture: Visual literacy and the culture of the gaze; Visual paradigms; Gender and gaze; Culture, image and mediation; Semiotics and Signs. Reciprocity between cinema and other artistic fields: Literature, Theatre, Painting, Music, Dance, Photography, Video Art, Architecture. Images, power and politics: Visual Technologies; The myth of photographic truth; Connotation and meaning of images; Images, Ideology and icons; Cultural Industries; Politics of reproducibility.
  • O recurso à Inteligência Artificial não é considerada uma ferramenta de trabalho nesta UC, sob qualquer circunstância, uma vez que esta UC visa exercitar no estudante a capacidade de adquirir e desenvolver a sua cultura visual de modo a poder construir um discurso próprio, coerente e reflexivo sobre objetos visuais e a visualidade contemporânea, aplicando os fundamentos teóricos abordados na aula a exemplos práticos. Neste sentido, assume-se que todas as adversidades que poderão surgir (bloqueios, dificuldade em organizar o pensamento, o discurso, aplicar e articular conceitos e ideas, etc.) fazem parte do processo de aprendizagem e devem resultar do exercício e esforço intelectual, e natural, do estudante, de quem se espera uma gradual aprendizagem e melhoramento destes aspectos ao longo do semestre.

     

    A avaliação é contínua, sendo composta por:

          50% Discussões orais, e relatórios escritos ao longo das aulas, de tópicos dos conteúdos programáticos em articulação textos da bibliografia.

    ·     40% Teste escrito sobre os conteúdos programáticos. 

    ·    10% Avaliação contínua, intercalar e final com critérios de assiduidade (75% de presenças), participação e pontualidade.

     

     

    A avaliação em época de recurso implica a realização de uma Prova Oral.

    A avaliação em época especial implica a apresentação oral dos trabalhos solicitados ao longo da disciplina, seguida de uma prova oral . 

     

    Os critérios gerais de avaliação desta UC centram-se: 

    • na integridade e autenticidade intelectual, académia e artística;

    • na capacidade de articulação de conceitos e procedimentos provenientes da Cultura Visual e da interpretação de imagens;

    • atenção e participação nos debates em aula;

    • realização de trabalho autónomo;

    • capacidade de formular questões relativas aos conteúdos programáticos e estabelecer relações críticas entre os mesmos;

     

    Os critérios específicos de cada exercício serão explicitados em cada enunciado e de acordo com a tipologia e objetivos de cada exercício que pode alterar de ano para ano.


     

    The use of Artificial Intelligence is not considered a work tool in this subject, under any circumstances, since this subject aims to exercise the student’s ability to develop their critical thinking and thereby to improve their own artistic identity and authenticity. In this sense, it is assumed that all adversities that may arise (blockages, difficulty in organizing thought, speech, applying and articulating concepts and ideas, etc.) are part of the learning process and must result from the exercise of an intellectual and natural effort developed by the student, from who is expected to gradually learn and improve these aspects throughout the semester.

     

    The assessment is continuous, consisting of:

    50% Oral discussions and written reports throughout the lessons on topics from the syllabus in articulation with texts in the bibliography.

    40% Written test on the syllabus contents.

    10% Continuous, mid-term and final assessment with criteria of attendance (75% attendance), participation and punctuality.


     

    Assessment during the appeal period involves carrying out an Oral Test.

    Assessment during the special period involves the oral presentation of the work requested throughout the course, followed by an Oral Test.

     

    The general evaluation criteria for this Curricular Unity focus on:

    • intellectual, academic and artistic integrity and authenticity;

    • in the ability to articulate concepts and procedures from Visual Culture and the interpretation of images;

    • attention and participation in class debates;

    • carrying out autonomous work;

    • ability to formulate questions regarding the syllabus and establish critical relationships between them;

     

    The specific criteria for each exercise will be detailed in each exercise statement according to the type and objectives of the exercise which may change yearly.

  • Semestral
  • Visual culture is the discipline that will provide students with a broad knowledge of visual art, from the beginnings of humanity to the present day, through critical and historical concepts that contribute to a broad understanding of the images that we routinely see and manipulate.

Introduction to Public Administration and Management

Details
Category: Discipline
  • ROLO, Nuno - Manual de Administração e Governação Pública (Volume I). Lisboa: AAFDL Editora. 2020 ROLO, Nuno - Manual de Administração e Governação Pública (Volume II). Lisboa: AAFDL Editora. 2020  
  • Public Administration and Management Consultancy
  • 3571
  • 18876
  • Introduction to Public Administration and Management
  • IPLUSO3571-18876
  • 1
  • 5
  • 0
  • 4
  • Não
  • Português
  • Use of digital methodologies.
  • Mandatory
  • The UC Introduction to Public Administration and Management aims to provide students with knowledge and mastery cross-cutting the framework and treatment of the main issues raised in the initial framework of the study of Public Administration and Public Management. Upon completion of the UC, the student must know and master: (i) Notions of Public Administration (AP), (ii) AP Paradigms and Reforms, (iii) AP People: Public Service, (iv) AP Ethics and Discipline, (v) PA Principles, Rights and Guarantees, (vi) Public Sector Governance and (vii) Public Governance of Private Sectors, Cooperative
  • Notions of Public Administration (AP) History and Science of Administration Public Essence and Administrative Cosmus PA Paradigms and Reforms PA paradigms PA reform AP People: Civil Service Notions and Fundamental Principles of AP Public Functions and Public Employment Ethics and Discipline of the AP Ethics and Public Ethics Management Public Disciplinary Law Principles, Rights and Guarantees of the AP Principles of Administration Rights, Guarantees and Civic-Administrative Relationship Public Sector Governance   Administrative Organization Dependent State Administration Independent State Administration Territorial Autonomous Administration Associative Autonomous Administration Public Governance of the Private, Cooperative and Social Sectors Para-Administration: Administration of Public Interest and Public Utility
  • Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.

    Exemplo:

    Descrição

    Data limite

    Ponderação

    Teste de avaliação

    5-01-2026

    80%

    Trabalhos de Grupo e Individuais

    semestre

    20%

    (...)

     

     

     

    Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...

     

  • Semestral
  • The UC Introduction to Public Administration and Management appears in the 1st semester of the Course in the context of a global objective of providing students with the indispensable macro framework for structuring the fundamental bases for the construction of an academic path carried out from the point of view of satisfying the purposes of acquisition and theoretical-practical mastery of the essential tools for adequate and high-quality public administration and management.

Advanced Practices in Surgical Nursing I

Details
Category: Discipline
  • Clinical Veterinary Nursing
  • 7019
  • 26435
  • Advanced Practices in Surgical Nursing I
  • IPLUSO7019-26435
  • 1
  • 6
  • 0
  • 4
  • Não
  • Português
  • Semestral
  1. Seminars
  2. Writing for Film and Television
  3. Public Accounting and Taxation
  4. Biosafety

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