- Details
- Category: Discipline
- . Butler, J. (2002). Gender trouble. Routledge. . Cota, C. et al. (2022). Contemporary Art Therapists: Study of Identity Within Artmaking. LMU. . Cottingham, L. (2013). Seeing through the seventies: essays on feminism and art. Routledge. . Goffman, E. (2016). The presentation of self in everyday life. Em: Social Theory Re-Wired (pp. 482-493). . Jones, A. (2013). Seeing differently: A history and theory of identification and the visual arts. Routledge. . Kaprow, A. (2003). Essays on the blurring of art and life: Expanded edition. Univ of California Press. . Pollock, G. (2015). Vision and difference: Feminism, femininity and histories of art. Routledge. . Rubin, R. (2023) The Creative Act: a Way of Being. Penguin Press. . Santos, R. A. F. D. (2016). A construção da identidade afrodescendente por meio das artes visuais contemporâneas: estudos de produções e de poéticas. Unesp. . West, S. (2004). Portraiture. OUP Oxford.
- Drawing
- 6947
- 26963
- Art and Identity
- IPLUSO6947-2-26963
- 1
- 5
- 1188
- 4
- Não
- Português
- The pedagogical approach combines expository teaching with active learning methods. Each module begins with a theoretical presentation that provides students with the necessary context for the topics under discussion. Following the theoretical exposition, students engage in practical and collaborative activities that encourage them to apply the issues addressed to their own practice and perspective. These exercises range from the development of quick sketches exploring aspects of personal identity to the creation of more elaborate works that incorporate the studied theories and concepts. The teaching methodology culminates in the development and presentation of a final, open-ended project centred on the concept of identity. This project must include an oral presentation and be accompanied by an explanatory text, both of which are integrated into the final portfolio used for assessment.
- Optional
- This theoretical-practical course unit aims to: . Equip students to understand and explore the concept of identity through various prisms, such as cultural, social, gender, and individual; . Promote a deep understanding of the representation of identity in art, both in practice and theory; . Foster students' ability to incorporate concepts and debates about identity into their own works, thereby enhancing authorship and originality; . Establish connections between the artistic representation of identity and the cultural and social contexts in which it is situated; . Develop skills for effectively communicating about themes of identity in art, both orally and in writing; . Encourage dialogue and collaboration among students from the three areas of specialization, thereby advancing an interdisciplinary approach to the study of identity in art.
- 1. Theoretical Introduction to Concepts of Identity: Individual, social, cultural, and gender. Exercise representing one aspect of the student's personal identity. 2. Identity in Different Cultures and Social Contexts: Creation of artwork that reflects various cultural or social aspects of identity. 3. Historical and Contemporary Representations: Recreation or adaptation of a historical work, incorporating elements of modern identity. 4. Gender and Identity: Creation of sketches or illustrations that explore gender issues. 5. Techniques and Mediums: Experimentation with different mediums to represent identity. 6. Development and Conclusion of a Final Project. 7. Portfolio Presentation with Written Explanatory Text and Oral Presentation of the Final Project: Group critique session.
Esta UC segue um método de avaliação contínuo e presencial.
Ponderação da Avaliação:
Exercícios práticos: 20%
Projeto Final: 50 %
Portfolio, texto escrito e apresentação oral: 15%
Assiduidade, participação e pontualidade: 15%
De acordo com o Regulamento de Avaliação da IES, é mandatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.
Exame de Recurso:
O exame de recurso será dividido em duas partes: um exame prático que contará 50% e a apresentação de todos os trabalhos realizados ao longo do semestre, que também terá um peso de 50%.
This course unit (UC) follows a method of continuous and in-person assessment.
Assessment Weighting:
Practical Exercises: 20%
Final Project: 50%
Portfolio, Written Text, and Oral Presentation: 15%
Attendance, Participation, and Punctuality: 15%
In accordance with the Assessment Regulations of the Higher Education Institution, it is mandatory for students to meet a minimum
attendance requirement for passing the course unit. Failure to comply with this requirement will necessitate taking an examination.
Resit Exam: The resit exam will be divided into two parts: a practical exam accounting for 50% and the presentation of all work completed throughout the semester, which will also carry a weight of 50%.
- Semestral
- The course explores the concept of identity in art from multiple perspectives, promoting the critical integration of these debates into individual artistic practice and interdisciplinary contexts.
- Details
- Category: Discipline
- BOURGEOIS, L. (2015). Louise Bourgeois: The Spiders and the Tapestries. Ostfildern-Ruit: Hatje Cantz ELGER, D. (2000). Donald Judd Colorist. Ostfildern-Ruit: Hatje Cantz ELGER, D. (2000). Gerhard Richter: Catalogue Raisonné. Ostfildern-Ruit: Hatje Cantz FICACCI, L. (2003). PIRANESI: Acqueforti/ Grabados/ Águas-fortes. Cologne:Tascen GOETZ, I., LENCSÉS, L., SCHOR, G., VINKEN, B. 82015). Cindy Sherman. Ostfildern-Ruit: Hatje Cantz JOICE, P. (1999). Hockney on Art: conversations with Paul Joice. London: Little brown KABAKOV, I., KABAKOV, E. (2005). An Alternative History of Art: Rosenthal, Kabakoc, Spivak. Bielfeld: Kerber KABAKOV, I., KABAKOV, E. (2003). Where is our place?. Milano: charta. SLAGER, H. (2015).The Pleasure Of Research. Ostfildern-Ruit: Hatje Cantz KUSTER, U. , SHFF, R. (2015), Peter Doig. Ostfildern-Ruit: Hatje Cantz DUNINGAM, E. C. (2013). A Celebration Of Light: The Art Of James Turrel. Ostfildern-Ruit: Hatje Cantz
- Visual Artes and Digital Media
- 7066
- 26048
- Artistic Project II
- IPLUSO7066-26048
- 1
- 10
- 0
- 4
- Não
- Português
- The teaching methodologies are based on two models: classes for the presentation of ideas and portfolios carried out by the students and finalized with collective critical debates, and tutorial monitoring of the work carried out in the studio.
- Mandatory
- General Objectives: To continue the project started in UC Artistic Project I, following the processes, strategies and research methodologies inherent to the visual arts, namely in its plastic, theoretical and conceptual dimension in deep interdisciplinarity with the UC of the study plan. Specific Objectives: To apply the appropriate artistic and plastic, theoretical and conceptual skills intrinsic to the artistic project under development, namely in the construction of a well-referenced body of work and its own discourse. Participate in a (self-)reflective way in collective critical dialogues between the group of students and with any guest artists. Adequately document the work developed with the creation of a portfolio and other communication materials (press release, invitation, biography, among others). Exhibition project.
- The CU includes theoretical-practical classes and continues the work begun in the 1st semester with the CU 'Artistic Project I'. Lectures: based on examples that support the definition, presentation and rationale of the artistic project, with emphasis on: - check if the thematic delimitation and central questions are pertinent to the on going project, and - the different theoretical and practical approaches necessary for the elaboration and development of a project, taking into account the specificities of the artistic process and the different media in which it can be configured. Practical classes: held in a studio and tutorial setting, dedicated to the development and implementation of the project, under the supervision of the teachers and in dialogue/debate with colleagues. At the end of the semester, students present their artistic project with exhibition criteria, a portfolio and other communication materials (press release, invitation, biography, etc).
A avaliação é contínua e presencial e tem dois momentos de avaliação periódica e um momento de avaliação final. Os estudantes podem requerer exame de recurso e exame de época especial. A avaliação contínua afere-se com a presença e a participação dos estudantes nos debates propostos em sala de aula, na capacidade de partilhar referências e de fomentar o pensamento crítico nas discussões de turma. Esta componente tem uma ponderação de 30% na nota final.
Existem dois momentos de avaliação intercalar. No primeiro momento é requerido uma apresentação informal do que está a ser realizado pelo estudante no âmbito do seu projeto. Nesta fase esperam-se o desenvolvimento da obra e o reforço gradual do mapa de referências bibliográficas e artísticas. Esta avaliação tem uma ponderação de 10%, uma vez que se dá num momento inicial do semestre. O segundo momento de avaliação intercalar tem uma ponderação de 20%. Nesta fase, o estudante apresenta um relatório visual e informativo que deve mostrar em que ponto de desenvolvimento se encontra o projeto artístico face aos seus objetivos de concretização, seja pela quantidade de experimentações e obra enquadradas no programa concreto de trabalho, seja pelo enriquecimento do mapa de referências bibliográficas, seja pelo que está planeado continuar a desenvolver. Aferir a qualidade plástica e conceptual do projeto em desenvolvimento, numa fase plena de concretizações é o objetivo desta avaliação.
As avaliações intercalares são expressas qualitativamente (Não Satisfaz - abaixo de 10 valores; Satisfaz - entre 10 e 14 valores; Bom - entre 15 e 18 valores; Muito Bom - entre 19 e 20 valores). A avaliação final dá-se no final das aulas com a apresentação de uma exposição dos trabalhos realizados e de um portefólio que se pode assumir como um ensaio de um catálogo dessa exposição e os materiais de comunicação que dela derivam. Esta avaliação tem uma ponderação de 40% na nota final, expressa numa pontuação de zero a vinte valores. Os estudantes que tenham faltado a uma das avaliações intercalares e aos momentos tutoriais podem não ser admitidos à avaliação final. Caso o estudante não tenha uma nota positiva ou queira fazer melhoria da nota obtida em avaliação final pode recorrer ao exame de recurso. Este exame replica a avaliação final, mas para o seu sucesso, o estudante deve apresentar uma melhoria do seu trabalho. Para os estudantes trabalhadores e finalistas há ainda o exame de época especial que acontece mais tarde relativamente ao exame de época de recurso
- Semestral
- Curricular Unit focused on the in-depth development of the authorial artistic project.
- Details
- Category: Discipline
- Moore, K. L. (2011). Anatomia Orientada para a Clínica Moore (6 ed.). a Rio de Janeiro: Guanabara Koogan. Sobotta, J. (2000). Atlas de Anatomia Humana (21 a ed.). Rio de Janeiro: Guanabara Koogan. Netter, F. H. (2000). Atlas de Anatomia Humana (2 a ed.). Porto Alegre: Artmed. Testut, L., & Latarje, A. (2004). Compêndio De Anatomia Descriptiva (18 a ed.). Barcelona: Ed. Elsevier. Widmaier, E.; Raff, H.; Strang, K. (2013). Vander's Human Physiology: The Mechanisms of Body Function. Inter. Edition (13 th ed.). New York: McGraw-Hill Med. Publs. Guyton, A.C., Hall, J.E. (2010). Guyton and Hall Textbook of Medical Physiology. (12 th ed.). WB Saunders Co., Ed. Guanabara Koogan SA. Ganong, W.F. (2013). Fisiologia médica. (24ª ed.). Rio de Janeiro: McGraw-Hill. Interamericana do Brasil. Lingappa, V.R., Farey, K., (2005). Physiological Medicine ¿ a Clinical Approach to Basic Medical Physiology. New York: McGraw Hill
- Forensic and Criminal Laboratory
- 4068
- 19600
- Anatomophysiology
- IPLUSO4068-19600
- 1
- 6
- 0
- 4
- Não
- Português
- In this curricular unit, the Team-based learning (TBL) methodology is used, with tasks carried out in small groups, allowing the development of the ability to analyze and apply theoretical concepts.
- Mandatory
- This curricular unit aims the study at the anatomy and physiology of the various organs and systems, approached from the perspective of the elaboration of the conceptual bases essential to the understanding of the various mechanisms of homeostatic adaptation.
- 1. Introduction to the study of the human body 2. Tissues, glands and membranes 3. Locomotor system: axial skeleton 4. Locomotor system: appendicular skeleton 5. Cardiovascular system 6. Respiratory system 7. Digestive system: digestive tract 8. Digestive system: attached organs 9. Urinary system 10. Reproductive system 11. Control systems (SN and SE)
Descrição
Data limite
Ponderação
Teste Teórico I
XX-XX-XXXX
25%
Teste Prático I
XX-XX-XXXX
25%
Teste Teórico II
XX-XX-XXXX
25%
Teste Prático II
XX-XX-XXXX
25%
A classificação final (CF) da unidade curricular por avaliação contínua é obtida a partir das classificações obtidas na componente escrita (T) e na componente prática (PL). A componente escrita consta de duas frequências escritas e é relativa aos conteúdos teóricos. A classificação mínima é de 9,5 valores. A componente prática consta de 2 momentos de avaliação práticos realizados durante as aulas. A classificação mínima em cada frequência prática é de 9,5 valores. A classificação final é calculada a partir da seguinte fórmula: CF = 0,50 T + 0,50 PL. A classificação de todos os instrumentos de avaliação é expressa numa escala de 0 a 20 valores, sendo que o valor ponderado das classificações obtidas em cada componente, tem de ser igual ou superior a 9,5 valores.
- Semestral
- Anatomy is the branch of biology dedicated to the study of the structure of organisms and their parts. It is intimately qualified with embryology, comparative anatomy, evolutionary biology and phylogeny. Human anatomy is considered one of the essential sciences of health science courses. Anatomy is divided into two areas: macroscopic anatomy and microscopic anatomy. Physiology is the study of the functioning of various organ systems, that is, explains how biomolecules, such as cells, tissues, organs and organ systems. Human physiology attempts to understand the mechanical, physical and biochemical mechanisms that keep the human body alive.
- Details
- Category: Discipline
- . 3DTOTAL (2020). Artist´s Master Series: Color and Light. 3dtotal Publishing. . 3DTOTAL (2020), Beginner's Guide to Digital Painting in Photoshop. 3dtotal Publishing. . Arantes, P. (2019). Arte e mídia: perspectivas da estética digital. Senac. . Desktop, N. (2018). Adobe Illustrator CC 2018 Step by Step Training. Noble Desktop. . Gimenez, M. (2013). Vector Illustration. Instituto Monsa de Ediciones, S.A. . Pereira, S., e Marcos, A. (2020). O processo criativo na era Pós-Digital: Uma reflexão crítica baseada na prática artística. Em: 2nd International Conference on Digital Creation in Arts and Communication, ARTeFACTo 2020 (pp. 127-135). . Steuer, S. (2019). Adobe Illustrator WOW! Book for CS6 and CC. (2ª Ed.): Peachpit Press. . Wood, B. (2021). Adobe Illustrator CC Classroom in a Book: The Official Training Workbook from Adobe. Pearson. . Zeegen, L. (2020). The Fundamentals of Illustration. Bloomsbury Visual Arts.
- Drawing
- 6947
- 5773
- Digital Arts
- IPLUSO6947-2-5773
- 1
- 5
- 1188
- 4
- Não
- Português
- Through the exploration of the 2D digital creation tool, students acquire theoretical and practical skills to develop vector or Bitmap illustration with rigor, aimed at the creation of digital art. The exercises and contents are designed in an approach of gradual complexity that aims at a heuristic knowledge by the students regarding the use of the various tools and creative possibilities of the software.
- Optional
- This course aims to explore the students' artistic skills and abilities in the creation of digital illustrations through 2D drawing software. To do this, they must learn to transfer their traditional drawing skills to a digital environment in vector or Bitmap format, and explore and master the various software and digital production techniques. This course aims to stimulate the production of digital illustrative content, exploring the ability to create distinct and authorial digital art. The software's functionalities are explored in a gradual way: first, in the necessary adaptation to the tool; then, in the exploration of its properties; and finally, in its profitable use in the creation of illustrations.
- . Introduction to digital art and its main software and vector or Bitmap illustration; . Digital drawing and painting techniques, including the use of graphics tablets; . Exploration of the potential of digital art in various applications, including graphic design, illustration and animation; . Advanced study of drawing and digital art techniques, including expression, composition and color; . Identifying the bars and panels used in the software and knowing their functions; . Development of a personal visual language and a unique artistic style; . Creation and development of an individual project;
Assiduidade, pontualidade e participação: 10%
De acordo com o Regulamento de Avaliação da IES, é mandatório que os
estudantes cumpram com um requisito de presença mínima nas aulas para
. Exercício de projeto: desenvolvimento processual, criativo e qualitativo: 50%
aprovação na unidade curricular. A falta de cumprimento desta exigência resultará
na necessidade de prestação de exame.
Exame de Recurso:
O exame de recurso será dividido em duas partes: um exame prático que contará
50% e a apresentação de todos os trabalhos realizados ao longo do semestre,
que também terá um peso de 50%.
This course unit follows a method of continuous and in-person assessment.
Assessment Weighting:
. Timely, exploratory exercises: 40%
. Project exercise: procedural, creative, and qualitative development: 50%
. Attendance, punctuality, and participation: 10%
In accordance with the Assessment Regulations of the Higher Education
Institution, it is mandatory for students to meet a minimum attendance
requirement for passing the course unit. Failure to comply with this
requirement will necessitate taking an examination.
Resit Exam: The resit exam will be divided into two parts: a practical exam
that will account for 50% and the presentation of all work completed
throughout the semester, which will also carry a weight of 50%.
- Semestral
- Introdution to digital Arts techiques
- Details
- Category: Discipline
- Alpers, Svetlana. ; “The Museum as a Way of Seeing” in Exhibiting Cultures: The Poetics and Politics of Museum Display. Ivan Karp & Steven D.Lavine (eds.). , London: Smithsonian Institution Press. , 1999 (25-32.) Berman, Marshall; “Modernidade Ontem, Hoje e Amanhã” in Tudo o que é Sólido Dissolve-se no Ar. A Aventura da Modernidade., Lisboa: Edições 70., 1982 ( 15-40) Youngblood, Eugene; “The Artist as Ecologist” in Expanded Cinema, , 1970 (345-351.)
- Visual Artes and Digital Media
- 7066
- 26049
- Seminar in Art Research
- IPLUSO7066-26049
- 1
- 10
- 0
- 4
- Não
- Português
- Theoretical-practical study based on the analytical and critical observation of paradigmatic works of contemporary art, accompanied by the contextualized study of circles of community, minority or peripheral artistic production in the global context; study and analysis of seminal contemporary texts by authors, theorists and artists of our time, exploring their relationship with the history of visual culture and politicalsocial history; study of documents and documentary films about artistic production and its relationship with new media and modes of communication in the digital economy; study of the web, social networks and virtual reality as new creative platforms.
- Mandatory
- Each topic is studied with the program support the observation of art and cultural objects (texts, films, ...) in the classroom and in the exercise of drafting critics. The aim of the course focuses on the skills of reflection on the contemporary art, good observation and interpretation of cultural elements produced by different social worlds, deepening the relationship with the arts in various domains and multiple instances of communication.
- 1. 1.1. In-depth notions of art and visual culture; 1.2. Critical analysis of European and American cultures in the 20th century: study of issues related to modernity and avant-garde: ephemeral action, break with tradition and hybridity; 1.3. Presentation, analysis and discussion of the notion of contemporary times and the museum crisis. 2. Visual Culture and contemporary political and aesthetic debates: 2.1. Artistic production and contemporary movements: civil rights, feminism, migrations, communitarianism and minorities, queer culture, post-colonialism and decolonialism; 2.2. Disciplines and communicational and technological hybridization. 3. Artistic production methodologies 3.1. The global communication society and the web: particularisms and aesthetic hegemonies; documentation and appropriationism; transmediality; 3.2. The theoretical and laboratory processes of individual projects: organization of information, experimentation and possibility of formalization and exhibition.
Os estudantes deverão realizar um trabalho de investigação teórico-prático com vista ao desenvolvimento de um projeto pessoal de criação artística, documentando o processo de reunião de informação, estabelecimento de uma metodologia, ensaios e inflexões no processo. O trabalho final deve ser apresentado à turma e defendido teoricamente pelo estudante, valendo o trabalho produzido 30% da avaliação final e a apresentação pública 30% da avaliação final; os restantes 40% referem-se à qualidade de participação nas aulas, sobretudo nos momentos de debate crítico e reflexão conjunta com o docente ao longo do semestre.
- Semestral
- Curricular unit dedicated to developing critical reflection skills on contemporary art.