CIEL Camada de Integração Ensino Lusófona
  1. You are here:  
  2. Home
  3. Discipline

Biology and Biochemistry

Details
Category: Discipline
  • Alberts, et al - Essential Cell Biology 2nd ed. New York: Garland Publishing. 2004 ISBN 0¿8153¿3481¿8 Alberts, et al.- Molecular Biology of the Cell (5th ed.). New York: Garland Publishing. 2007 ISBN-10: 0-8153-4072-9 Stryer L., Gatto G. Tyoczko, J and Berg J. . 9 ed.. New York: W.Biochemistry th H. Freeman Ed. 2019 ISBN-13: 978-1319114671 Halpern e col - Bioquímica: organização molecular da vida . Lisboa. Lidel Ed 2008. ISBN: 978-972-757-431-5  
  • Forensic and Criminal Laboratory
  • 4068
  • 19238
  • Biology and Biochemistry
  • IPLUSO4068-19238
  • 1
  • 5
  • 0
  • 4
  • Não
  • Português
  • In practical classes, the student has prior access to the experimental protocols to be carried out in each class session, which allows for prior reading and preparation. These protocols are accompanied by a set of questions, in order to ensure individual preparation and, subsequently, the discussion of procedures and results.
  • Mandatory
  • -Understanding cellular organization and functionality -Know and integrate the functions of organelles -Understand the structure of the membrane and the importance of membrane transport -Understand the role of cell division and its changes in heredity -Know the importance of physiological tampons and interpret their alteration -Study the structure and function of biomolecules (carbohydrates, Proteins and Lipids) -Understand in a global way, the main metabolic pathways and their function -Relate the metabolic and enzymatic changes with the respective pathologies - Promote the ability to analyze, interpret knowledge and facts with application in problem solving
  • Cell diversity; Organelles and cellular structures; Nucleus, Chromosomes and DNA Replication Gene expression mechanisms Cell Division and changes Cell Membrane biomolecules enzymology Introduction to the Biochemistry of Metabolism Metabolism Interrelationship of metabolic pathways optical microscopy Solutions potentiometry isotonicity spectrophotometry Laboratory evaluation of carbohydrates
  • Descrição

    Data limite

    Ponderação

    1º teste  Teórico

    dd-mm-yyy

    30%

    2º teste teórico dd-mm-yyyy 30%

    1º teste Prático

    dd-mm-yyyy

    20%

    2º teste prático

    dd-mm-yyyy

    20%

    A classificação final (CF) da unidade curricular por avaliação contínua é obtida a partir das classificações obtidas na componente escrita (T) e na componente prática (PL). A componente Teórica consta de duas frequências escritas e é relativa aos conteúdos teóricos. A classificação mínima em cada frequência é de 8 valores. A componente prática consta de 2 momentos de avaliação práticos realizados durante as aulas laboratoriais, A classificação mínima de cada momento é de 8 valores. A classificação final é calculada a partir da seguinte fórmula: CF = 0,60 T + 0,40 PL. A classificação de todos os instrumentos de avaliação é expressa numa escala de 0 a 20 valores, sendo que o valor ponderado das classificações obtidas tem de ser igual ou superior a 9,5

     

  • Semestral
  • he Biology component of this course unit deals with the structure and functioning of the cell. Fundamental knowledge on the storage, transmission and use of genetic information in eukaryotic and prokaryotic organisms is transmitted. Cell cycle and gene expression control and related themes such as cancer and apoptosis are also focused. The biochemistry component discusses the concepts of the structure and function of biomolecules and the metabolic pathways in which they are involved. Enzyme functioning and bioenergetics are also focused. Through laboratory practice, the student will perform not only cell biology techniques, but biochemistry techniques such as spectrophotometry that are the basis of various analytical methods. Through practical cases will be developed the ability to analyze, interpret knowledge and facts with application in problem solving.

Illustration for Visual Communication

Details
Category: Discipline
  • . Abdulla, R., & Hübner, R. (2006). Pictograms, Icons & Signs: A Guide to Information Graphics. Thames & Hudson. . Hodges, E. R. S. (2003). The Guild Handbook of Scientific Illustration. John Wiley & Sons. . Köppen, E. (2007). Illustration in scientific articles: reflections on the growing importance of the visual in scientific communication. Investigación bibliotecológica, 21(42), 33-64. . Mateu-Mestre, M. (2010). Framed Ink: Drawing and Composition for Visual Storytellers. Design Studio Press. . Panizza, J. F. (2004). Metodologia e processo criativo em projetos de comunicação visual. São Paulo, 254. . Reinartz, W., & Saffert, P. (2013). Creativity in advertising: When it works and when it doesn?t. Harvard Business Review, 91(6), 106-111. . Rendgen, S., & Wiedemann, J. (2019). History of Information Graphics. Taschen. . Rodrigues, S. L. (2012). Desenho, tipografia e publicidade: o caso do modernismo português. (PHD thesis). FBAUL.    
  • Drawing
  • 6947
  • 26023
  • Illustration for Visual Communication
  • IPLUSO6947-2-26023
  • 1
  • 5
  • 1188
  • 4
  • Não
  • Português
  • The teaching-learning process in this course unit adopts a theoretical-practical approach. Practical examples will be utilized to demonstrate concepts and techniques in each of the covered areas: advertising, signage, and scientific drawing. Moreover, there will be a focus on hands-on exposure and training with specific software for bitmap and vector drawing. The practical component will be further amplified through the development of individual or group projects. These projects will enable students to apply the knowledge and skills acquired in practical contexts, encompassing different facets of visual communication. To complement this approach, individual research and the development of creative processes will be encouraged, allowing students to apply methodologies of artistic research and develop a strong dimension of authorship in their works. At the end of each class, a collective critical analysis of the developed works will be conducted.
  • Optional
  • . Acquire technical and artistic skills in illustration for various visual communication contexts, including advertising, signage, and scientific drawing. . Develop the ability to create graphic elements and illustrations for different mediums and formats, utilizing both analog and digital techniques and tools. . Familiarize oneself with specific software for bitmap and vector drawing. . Understand and apply criteria for communicative effectiveness in the creation of illustrations and visual elements for advertising, signage, and scientific communication. . Mobilize knowledge and technical skills in the production of visual content applicable to various contexts, including the scientific field.
  • 1. Illustration for Advertising . Techniques of illustration applied to the creation of visual elements for various advertising media, both print and digital; . Communication and dissemination strategies across different platforms (posters, social media, billboards, web banners); 2. Alternative Signage Project . Development of illustrations for information, orientation, and signage in both public and private spaces, including interiors and exteriors; . Techniques and methods for the creation of pictograms, icons, and typography as applied to signage; . Utilization of maps and building floor plans for orientation and information; 3. Scientific Drawing for Visual Communication . Fundamentals and techniques of scientific drawing and their application in various contexts of visual communication; . Techniques for the accurate representation of scientific information, including diagrams and illustrations; . Use of scientific drawing across different communication media.
  • Exercícios práticos:
    . Ilustração para Publicidade: 30%
    . Projeto de Sinalética Alternativo: 30%
    . Desenho Científico para Comunicação Visual: 30%
    Avaliação contínua: pontualidade, participação e assiduidade: 10%
    De acordo com o Regulamento de Avaliação da IES, é mandatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.
    Exame de Recurso:
    O exame de recurso é dividido em duas partes: um exame prático que conta 50% e a apresentação de todos os trabalhos realizados ao longo do semestre, que também tem um peso de 50%.

     

     

     

  • Semestral
  • Discipline focused on illustration applied to different contexts of visual communication, combining analog and digital techniques.

Theories of Art II

Details
Category: Discipline
  • . AA.VV. (2008) The Art of Participation – 1950 to Now. Sa?o Francisco: San Francisco Museum of Modern Art (Thames & Hudson). . BARTHES, Roland (1987) Rumor da Língua. Edições 70. .BRUNO, Giuliana (2014) Surface - Matters of Aesthetics, Materiality, and Media. Chicago: The University of Chicago Press. . BUTLER, Judith (2015). Senses of the Subject. Nova Iorque: Fordam University Press. . DELEUZE, Gilles e GUATTARI, Felix (2004) O Anti-E?dipo: Capitalismo e Esquizofrenia 1, Lisboa: Assi?rio e Alvim. . DIDI-HUBERMAN, Georges (2011). O que no?s vemos, o que nos olha. Porto: Dafne Editora. . INGOLD, Tim (2013). Designing environments for life. In Anthropology and natur. In HASTRUP, K., ed. Abingdon: Routledge, pp. 233-246. . KRAUSS, Rosalind (1999). Bachelors. Cambridge, Londres: The MIT Press, OCTOBER Books. . . RANCIE?RE, Jacques (2010). Este?tica e Politica – A Partilha do Sensi?vel. Porto: Imago.
  • Visual Artes and Digital Media
  • 7066
  • 26050
  • Theories of Art II
  • IPLUSO7066-26050
  • 1
  • 5
  • 0
  • 4
  • Não
  • Português
  • The curricular unit's teaching and learning methodologies were designed in accordance with the institution's pedagogical model and the unit's specific objectives. In addition to the theoretical approach, through the exposition of content in class, with the aid of audiovisual materials, bibliography and access to support materials previously prepared by the lecturer (bibliography, audiovisual material, suggested events), all subjects are taught with the encouragement of critical dialogue, in the form of debates, visits to exhibitions and artists' studios and through the contribution of guests.
  • Mandatory
  • General objectives: . To contextualize art theory in the history of art in conjunction with ideas and concepts from other areas of knowledge such as sociology, anthropology, politics and psychology; . To identify and distinguish between the fundamental theoretical frameworks that have molded the practice and theory of contemporary art from the perspective of a visual artist. Specific objectives: . To recognize the inherent theoretical problems of an aesthetic object; . Identify key aesthetic currents of the 20th and 21st centuries; . Interpret fundamental texts of art theory and relate them to artistic practices; . Examine and relate students' studio practice to art theory; . Develop well-informed aesthetic positions that reject, develop or support important theoretical issues related to art theory; . Debate and formulate theoretical discussions in groups and among peers.
  • This CU continues Art Theory I. The contents are structured by bringing together the theories that underpinned the development of the visual arts during the 20th and 21st centuries and some of the thematic guidelines of contemporary art based on the writings of artists, texts by critics, philosophers, politicians and literary figures. Module 1 Materiality VS Immateriality: - Critique of the medium and the post-medium condition; -Rosalind Krauss and Yves-Alain Bois  Formlessness; - Didi-Huberman - Memory and Materiality - The idea of Materiality in Giuliana Bruno.   Module 2. Authorship Vs Participation: - Roland Barthes and the death of the author; - Gilles Deleuze and the Anti-Oedipus; - Claire Bishop and the concept of Participation.   Module 3. Sustainability, Community and Activism. - Tim Ingold, Subsistence, Housing and Skill; - Jacques Rancière and the Politics of the Sensible; - Guerrilla Girls and Judith Butler, Gender activism; - Climate activism, positions and contradictions.
  • A avaliação é realizada combinando elementos de avaliação contínua (20%) e avaliação final (80%).
    A avaliação contínua compreende assiduidade (5%) e participação (15%) nas aulas.
    A avaliação final combina dois elementos:
    A) uma comunicação oral de 15 minutos partir de um tema proposto e formato de conferência, que inclui debate com colegas (25%);

    B) recensão crítica de um texto à escolha de acordo com os conteúdos lecionados (25%);
    C) ensaio escrito a partir de um tema previamente proposto, relacionado com as propostas dos conteúdos da UC, e desenvolvendo criticamente as questões abordadas (30%).
    São avaliadas as competências de escrita e utilização das referências transmitidas para a elaboração de todos os exercícios e trabalhos escritos. São avaliadas as competências de leitura e de interpretação do lido, pensamento crítico, organização de fontes e apresentação de diálogo com as leituras realizadas, articulação de conteúdos, estruturação do tema escolhido, e pertinência da integração dos temas trabalhados no contexto científico específico da área.
    As entregas são feitas por moodle de acordo com o calendário estabelecido para a unidade curricular (integrada no calendário letivo), definido entre a docente e os estudantes no início do respetivo semestre.
    De acordo com o Regulamento de Avaliação da IES, é obrigatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resulta na necessidade de prestação de exame.


    O exame de recurso é constituído pela realização de uma recensão crítica a um texto incluído nos conteúdos programáticos (50%) e uma prova oral.


    É esperado dos estudantes uma atitude de integridade académica relativamente às práticas de citação e no uso adequado de IA.

  • Semestral
  • This curricular unit is dedicated to the development of critical thinking and writing about art, focusing on the analysis of works and concepts of contemporary visual arts through different theoretical and philosophical approaches.

Communication and Conflict Management

Details
Category: Discipline
  • Peraya, D. &  Meunier, J. P. (2008). Introdução às Teorias da Comunicação. Lisboa. Ed. Vozes. ISBN: 9788532636454 Catão. A. L. (2020). Mediação de Conflitos. São Paulo. Instituto Vladimir Herzog. ISBN 978-65-86248-01-2 Rüdiger, F. (2010). As Teorias da Comunicação. São Paulo. Ed. Penso. ISBN: 9788563899002 Mota Cardoso, R. (2018). Competências Clínicas de Comunicação. Porto. Edições Afrontamento. ISBN: 9789899795303  Rego, A. (2010). Comunicação Pessoal e Organizacional- Manual de Exercícios. 2ª Edição. Edições Sílabo, Lda. ISBN: 978-972-618-852-0
  • Forensic and Criminal Laboratory
  • 4068
  • 19599
  • Communication and Conflict Management
  • IPLUSO4068-19599
  • 1
  • 3
  • 0
  • 4
  • Não
  • Português
  • Digital innovative methodologies previously introduced are to be kept
  • Mandatory
  • Identify Communication as an essential characteristic in interpersonal relationships and interdisciplinary groups; Know the different organizational components that influence the behavior of individuals and groups in organizations; Understand the behavior of individuals and groups within organizations and their influence on the behavior of organizations; Understand the different types of leadership by identifying their key aspects and characteristics and highlighting the strengths and weaknesses specific to each approach in terms of adaptive responses in the context of change; Recognize the role of the forensic and criminal laboratory technician within a multidisciplinary forensic investigation team;
  • The Communication Importance of Communication in an Organization Communication as a Continuous Process Elements of Communication Verbal and Non-verbal Communication and Communication Barriers Analysis of Behavior in Interpersonal Relationship The Communication Styles Neurolinguistic and Language Motivation and Leadership Concepts Types of Leadership: evaluation and application of each The Group Characterization of Interpersonal Relationships in the Group Advantages and Disadvantages of the Group Importance of IQ and EQ in a group The Conflict The distinction of the Traditional View of the Current View of Conflict The Different Types of Conflict The different ways of dealing with conflicts
  • A componente escrita consta de duas frequências escritas e é relativa aos conteúdos teóricos. A classificação mínima em cada frequência é de 8 valores. A classificação final é calculada a partir da seguinte fórmula: CF = 0,50 T + 0,50 T. A classificação de todos os instrumentos de avaliação é expressa numa escala de 0 a 20 valores, sendo que o valor ponderado das classificações obtidas em cada componente tem de ser igual ou superior a 9,5 valores, para efeitos de cálculo da classificação final. 

    Descrição

    Data limite

    Ponderação

    Teste escrito de avaliação

    15-12-2023

    50%

    Trabalho prático

    15-12-2023

    50%

     

     

  • Semestral
  • This course is intended to introduce the student to the study of the most relevant aspects of communication, adapting the acquired knowledge to the intervention in conflict management and the analysis and regulation of communication in their different contexts.

Structures and Perspective Studies

Details
Category: Discipline
  • . Ching, F., e Juroszek, S. P. (2001). Representação gráfica para desenho e projecto. Editorial Gustavo Gili. . Da Cunha, L. V. (2004). Desenho Técnico. Fundação Calouste Gulbenkian. . Massironi, M. (2010). Ver pelo Desenho. Aspectos técnicos, cognitivos, comunicativos. Edições 70. . Trindade, A. (2008). Um Olhar Sobre a Perspectiva Linear em Portugal nas Pinturas de Cavalete, Tectos e Abóbadas: 1470-1816. 2 vols. Faculdade de Belas Artes da Universidade de Lisboa. Tese de Doutoramento em Belas Artes, especialidade em Geometria Descritiva. . Trindade, A. (2014). Geometria, perspectiva linear e escala teológica, pintura e contemporaneidade: que futuro? Em: Artistas sobre outras obras. Revista Estúdio. Trindade, A. (2023). Os espelhos e o desenho em perspectiva linear. Coleção Liçôes de Arte & Design, Volume 3. CIEBA. . Veloso, E. (1998). Geometria: Temas Actuais. (1ª ed.). Instituto de Inovação Educacional.  
  • Drawing
  • 6947
  • 26962
  • Structures and Perspective Studies
  • IPLUSO6947-2-26962
  • 1
  • 5
  • 1188
  • 4
  • Não
  • Português
  • The classes are of a theoretical-practical nature and are grounded in a methodological intersection between observational and recording techniques and geometric drawing techniques. Through a series of practical and dynamic exercises, we will gradually learn to translate what we see onto paper, applying the concepts and techniques that enable the creation of a sense of depth. Throughout the course, references from Art History will also be contextualized in conjunction with Contemporary Art in order to solidify the knowledge acquired in the realm of artistic expression and graphic language that each student will develop.
  • Optional
  • . Develop the capacity for visual perception to improve the reading, comprehension, and formal representation of the shapes in the surrounding world. . Acquire technical and artistic skills for representing objects, spaces, and structures by applying basic principles of perspective. . Interpret and analyze environments in perspective using multiple vanishing points. . Apply and deepen freehand drawing techniques, taking into account vanishing points of spatial directions and other geometric relations. . Understand the fundamentals of perspective representation and apply them in freehand drawings and in artistic projects. . Master and employ the appropriate language and terminology related to perspective representation. . Utilize finishing techniques in drawings, such as shading and lighting.
  • 1. Relationship between perception and the mode of perspectival representation; 2. Notion of scale and proportion, and the relationship between objects within the same space; 3. Fundamentals of the Perspectival Representation System; 4. Exercises in interpreting fundamental vanishing points from photographs or images; 5. Exercises for the development of spatial skills; 6. Application of basic concepts of perspective in the representation of simple solids with two vanishing points; 7. Representation of spaces and structures, either external or internal, with one or two vanishing points, through the mental shifting of the observer to obtain various viewpoints; 8. Enclosing cube method, grids, transfer or multiplication of measurements; 9. Application of expressive techniques for light, shadow, volume, and distance to accentuate notions of prespective.
  • São usadas modalidades de avaliação formativa e sumativa, explicitando-se a sua relação com os objectivos de aprendizagem. A ponderação da avaliação da UC consiste em:

    * 40% Apresentação dos exercícios realizados em aula em formato de portefólio

    * 50% Projecto de desenho em perspetiva.

    * 10% Avaliação contínua, intercalar e final com critérios de assiduidade, participação e pontualidade.

    De acordo com o Regulamento de Avaliação da IES, é mandatório que os estudantes cumpram com um requisito de presença mínima nas aulas para aprovação na unidade curricular. A falta de cumprimento desta exigência resultará na necessidade de prestação de exame.

    Exame de Recurso:

    O exame de recurso será dividido em duas partes: um exame prático que contará 50% e a apresentação de todos os trabalhos realizados ao longo do semestre, que também terá um peso de 50%.

     

     

    The evaluation methods employed are both formative and summative, elucidating their alignment with the learning objectives.

    The weighting of the course unit's assessment consists of:

    * 40% Presentation of exercises completed in class in portfolio format

    * 50% Perspective drawing project

    * 10% Continuous, mid-term, and final evaluation based on criteria such as attendance, participation, and punctuality.

    In accordance with the Assessment Regulations of the Higher Education Institution, it is mandatory for students to meet a minimum attendance requirement for passing the course unit. Failure to comply with this requirement will necessitate taking an examination.

    Resit Exam: The resit exam will be divided into two parts: a practical exam accounting for 50% and the presentation of all work completed throughout the semester, which will also carry a weight of 50%.

  • Semestral
  • The course develops technical and perceptual skills in freehand perspective drawing, applying geometric principles to the analysis and representation of forms, objects, and spaces.
  1. Option I
  2. Computing
  3. 3D Modelling
  4. Artistic Installation I

Page 460 of 632

  • 455
  • 456
  • 457
  • 458
  • 459
  • 460
  • 461
  • 462
  • 463
  • 464

Select your language

  • Português (Portugal)
  • English (United Kingdom)

English Menu

  • Home

Pesquisa

Login Form

  • Forgot your password?
  • Forgot your username?