- Details
- Category: Discipline
- Beja, Ana Paula, Sociologia Urbana, Edições Universidade Aberta, 2022. Barata Salgueiro, T., A Cidade em Portugal- Uma Geografia Urbana ( 2ª Edição- Edições Afrontamento , Porto , 2000. Beaujeau- Garnier J., Geografia Urbana, Fundação Calouste Gulbenkian, Lisboa,1997 Lopes , J. Teixeira, Novas Questões de Sociologia Urbana , Edições Afrontamento, Porto, 2002. Marcos Abrahamson, Urban Sociology - A Global Introduction, Imprensa da Universidade de Cambridge, 2013.
- Architecture
- 367
- 2
- Não
- Português
- The use of active methodology and giving students the chance to learn to work in an interdisciplinary context (STEAM).
- Mandatory
- - Acquire the basic concepts in general sociology and urban sociology. - Use the sociological method in the analysis of urban phenomena and architecture. - Think architecture in its social context.
- DAAD - Department of Architecture, Arts and Design
- Introduction Sociology of Architecture, Urban Sociology / Rural Sociology The urban phenomenon I - Historical and Scientific Context of the Development of Urban Sociology . Objectives and fundaments of Urban Sociology: fields, concepts and schools (from Chicago school to the new trends of Urban Sociology) ; . Themes and tendencies of research in Urban Sociology; . Research methods and techniques. II - The expansionist, comprehensive and polyfaceted character of the urban phenomenon . Urban Geography and Demography of the Cities . Social dimensions of spatial appropriation and symbolic representations in cities Urbanism, Economics and Development of Cities: urban lifestyles, social stratification and social disequilibrium . Old and new social conflicts . Cities, symbols and urban culture(s) . The city - ecological phenomenon . Public space and citizenship . Towards a new dimension of the city III- Urban Policies . Urban and Territorial Planning and Management Issues
- Semestral
- - Social and physical analysis of urban and rural space. - Urban sociology allows the student in the architecture course to have an in-depth knowledge of the intervention space, the influence of the way of life and culture in the design of the forms and morphology of the physical and social space.
- Social and physical analysis of urban and rural space. - Urban sociology allows the student in the architecture course to have an in-depth knowledge of the intervention space, the influence of the way of life and culture in the design of the forms and morphology of the physical and social space.
- Details
- Category: Discipline
- Communication Design
- 489
- 4
- Não
- Português
- DAAD - Department of Architecture, Arts and Design
- Semestral
- Details
- Category: Discipline
- Beer F B, Johnston E R - Mecânica vectorial para engenheiros - Estática. McGraw Hill, Cota: EM/41.2-BC ULHT 40017
- Architecture
- 367
- 4
- Não
- Português
- Remote teaching to support the homework.
- Mandatory
- Introduction to actions, reations and statics of structures. Determinate structures are analyzed using basic equilibrium equations.
- DAAD - Department of Architecture, Arts and Design
- Introduction to mechanics: fundamental concepts and principles Static equilibrium of particles. Rigid bodies: equivalente systems of forces Equilibrium of rigid bodies. Trusses
- Semestral
- This curricular unit intends to make a first introduction to the statics of structures and familiarize the architecture student with the notion of equilibrio of buildings.
This curricular unit intends to make a first introduction to the statics of structures and familiarize the architecture student with the notion of equilibrio of buildings.
- Details
- Category: Discipline
- Communication Design
- 489
- 4
- Não
- Português
- DAAD - Department of Architecture, Arts and Design
- Semestral
- Details
- Category: Discipline
- AAVV (2000-2026). Jornal Arquitectos. Ordem dos Arquitectos Colomina, B. (2006). Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X. Actar Publishers Leach, N. (2005). A Anestética da Arquitectura. Antígona Montaner, J. M. (2012). Arquitectura e Crítica. Gustavo Gili Rancière, J. (2010). Estética e Política. A Partilha do Sensível. KKYM Rattenbury, K. (ed.) (2002). This is Not Architecture: Media Constructions. Routledge
- Architecture
- 367
- 4
- Não
- Português
- In accordance with the reflective and exploratory nature of this course unit, students are expected to experiment with different tools and working methods. The aim is to diversify reflection approaches. M1: Lectures; M2: Text analysis groups; M3: Collective discussion; M4: Study trips; M5: Individual written reflections; M6: Guided group work; M7: Public presentations.
- Mandatory
- CEA find it synthesis in representation and the means of its communication. And the way to understand the forces that shape them, to understand why something appears to us in this way, is through its deconstruction. To understand the different layers that compose it, the reasons that justify its mode, why it functions as it does, why it serves these purposes and people and not others. This can be done through curatorship, editing, programming, and research: O1: Know-understand the issues and their characterization, analysis and interpretation of the various critical and aesthetic positions in architecture, together with their protagonists; O2: Reflect-construct a critical judgment about these positions through justified and coherent argumentation; O3: Explore-limits and aesthetic potentialities of different representation tools and means of communication; O4: Communicate-develop a discourse with clarity and rigor in the instruction and organization of oral, written and graphic records.
- DAAD - Department of Architecture, Arts and Design
- The UC is divided into different themes, reflecting various critical and aesthetic positions from the last century. For each one, several works are presented that demonstrate its architectural manifestation. To support the discussion, there is a set of content and authors that will serve as starting points for reflection, but which will always be framed according to their relevance today. S1: Representation and media - and the convergence of criticism and aesthetics; S2: Machines and abstractions - and technological and rational optimism; S3: Organisms and surrealisms - and the universes of nature and the subconscious; S4: Realisms and populisms - and their complexities and contradictions; S5: Structures and typologies - and formal invariants and essentialisms; S6: Dispersions and fragments - and the world of consumption and spectacle; S7: Reactions and emergences - and the trends in contemporary architecture; S8: Critical fictions - and the practical application of criticism and aesthetics.
- Semestral
- Criticism is an exercise in deconstruction. It relates to both theory and history, but its field is the instantaneous present, generally focused on a particular object (building or event). With the blurring of disciplinary boundaries and technological and media transformations, criticism has adopted other modes of expression (curatorship, programming, editing, research), but its purpose remains the same: this constant exercise of revision. In its broadest sense, aesthetics is a sharing of the sensible (the senses) that determines a mode of articulation between forms of action, production, perception, and thought. This general definition extends the field of aesthetics beyond the field of art and comes to include the conceptual coordinates and operative modes of visibility of the field of politics - in the sense of polis, of organizing the city (as common space), therefore of architecture. Together, criticism and aesthetics are a way of thinking about the world.
Criticism is an exercise in deconstruction. It relates to both theory and history, but its field is the instantaneous present, generally focused on a particular object (building or event). With the blurring of disciplinary boundaries and technological and media transformations, criticism has adopted other modes of expression (curatorship, programming, editing, research), but its purpose remains the same: this constant exercise of revision. In its broadest sense, aesthetics is a sharing of the sensible (the senses) that determines a mode of articulation between forms of action, production, perception, and thought. This general definition extends the field of aesthetics beyond the field of art and comes to include the conceptual coordinates and operative modes of visibility of the field of politics - in the sense of polis, of organizing the city (as common space), therefore of architecture. Together, criticism and aesthetics are a way of thinking about the world.
