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History and Visual Culture for the Performing Arts

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Category: Discipline
  • ALLAIN, P., HARVIE, J. - The Routledge Companion to Theatre and Performance. Londres e Nova Iorque: Routledge, 2025 BIAL, H., BRADY, S. - The Performance Studies Reader, Londres e Nova Iorque: Routledge, 2016 BROWN, J. R. - The Oxford Illustrated History of Theatre, Londres: Oxford, 2001 COELHO, R. P., OLIVEIRA, F. M., DA SILVA, A. M. - O Corpo Nu na Artes Performativas. Perspectivas Trans-históricas e Críticas, Lisboa: Húmus, 2024 DIXON, S. - Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation, Cambridge MA: The MIT Press, 2015 IGWEONU, K. - Routledge Handbook of African Theatre and Performance, Londres e Nova Iorque: Routledge, 2024 LAWTOO, N. - Homo Mimeticus: A New Theory of Imitation, Leuven: Leuven University Press, 2022 LIU, S. - Routledge Handbook of Asian Theatre, Londres e Nova Iorque: Routledge, 2016 PAIS, A. - Ritmos Afectivos nas Artes Performativas, Lisboa: Edições Colibri, 2018  
  • Illustration and Drawing
  • 6330
  • 25107
  • History and Visual Culture for the Performing Arts
  • IPLUSO6330-25107
  • 3
  • 6
  • 946
  • 4
  • Não
  • Português
  • The methodology of this UC is based on a theoretical approach, through the presentation of content in classes, with the help of audiovisual materials, bibliography and access to support materials previously prepared by the Professor. Cumulatively, discussion and analysis of the cases addressed, production of oral and written speech, attendance at shows and exhibitions opportunely indicated and preparation of the works communicated at the beginning of the semester are expected. Some of the classes will be taught in a museum context, for direct and immersive contact with the cases discussed. The combination of elements presupposes a strong Practic-Based Learning component. The materials are delivered through Moodle and later discussed in classes. All work can and should be discussed with the teacher, and correction is mandatory and considered for assessment. Time will also be reserved for tutorial guidance in person and via email.
  • Optional
  • Identify and critically interpret images, cases, references and narratives of the performing arts; understand its chronological and geographical organization, as well as the contexts of its production and reception; understand and problematize its cultural, sociopolitical and ideological aspects; have a decolonial perspective on the panorama drawn by Western history and contact with current perspectives; identify the permeability between artistic and social performativity; understand the historically situated and reciprocal relationships between different techniques and disciplines and the performing arts, in their multiple articulations and developments; acquire skills in analysis, problematization and synthesis of the performing arts in context; identify and problematize paradigm shifts and their consequences; systematic use of learned vocabulary.
  • 1. Definition and examples: systems, arts of space and time; artistic production, body, document and event; genres: theatre, music, poetry and oratory, gymnastics, opera, musical, dance, puppetry, circus, stand-up comedy, drag show, wrestling; scenography, lighting design, figuration, make-up, special effects, storyboard, script and libretto, fight choreography, venues and architecture. 2. Historical and geographical mapping: extra-colonial and extra-historical cases; Western chronology. 3. Artistic performance and social performativity: identity, gender, culture, class; pre-artistic cases; digital culture, social networks and streaming; body art (ethnographic and artistic), tattoo, piercings; cinema, pop music, concerts, persona/figure, spectacle, festivals, red carpet; pornography as spectacular production; blackface. 4. Representation, inclusion and accessibility of audiences.
  • A avaliação será realizada combinando vários elementos de avaliação contínua (30%) e avaliação final (70%). A avaliação contínua compreende assiduidade (20%), a participação ativa nas aulas e respetivas atividades (10%) nas aulas. A avaliação final combina quatro elementos: (A) a realização, entrega e correção de trabalhos semanais (num total de 35%), e a realização, no final do semestre; a realização de (B) uma apresentação em aula em formato a propor pela Professora (13%); (C) a redação, entrega e correção de um trabalho escrito (11%) a partir de um tema previamente proposto, relacionado com as propostas dos conteúdos da unidade curricular, e desenvolvendo criticamente as questões abordadas, em formato a propor pela Professora; a realização de um plano ou simulação de trabalho prático relacionado com as artes performativas e a área de trabalho preferencial do estudante (11%), em formato a propor pela Professora.

     

    Descrição Data limite Ponderação
    Assiduidade Avaliação contínua 20%
    Participação ativa nas aulas Avaliação contínua 10%
    Exercícios semanais Entrega todas as semanas

    total de

    35%

    Trabalho escrito

    Entrega até 27 de Maio

    11%
    Apresentação oral com auxílio de materiais

    A agendar com a docente

    de 9 a 13 de Junho

    13%

    Plano ou simulação de trabalho prático

    relacionado com as artes performativas

    e a área de trabalho preferencial do estudante

    em formato a discutir com a docente

    De 9 a 13 de Junho 11%

     

    O exame de recurso é constituído pela realização de um breve trabalho escrito (comentário crítico de carácter monográfico sobre um objecto proposto pelo aluno) (50%) e pela apresentação em prova oral e/ou repetição escrita dos exercícios feitos ao longo do semestre, caso algum destes se revele de aproveitamento insatisfatório (50%).

    Serão avaliadas a compreensão dos conteúdos, capacidade de adaptação a novas ferramentas críticas, participação e contribuição para os conteúdos e discussões da UC, competências de discurso, de escrita e utilização das referências transmitidas para a elaboração de todos os exercícios e trabalhos escritos e orais. Serão ainda avaliadas as competências de leitura, pensamento crítico, organização de fontes e apresentação de diálogo com as leituras realizadas, articulação de conteúdos, estruturação do tema escolhido, e pertinência da integração dos temas trabalhados no contexto artístico do estudante. As entregas são feitas por via moodle de acordo com o calendário estabelecido para a unidade curricular (integrada no calendário letivo), definido entre a docente e os alunos no início do respetivo semestre.

     

  • Semestral
  • History and Visual Culture for the Performing Arts is an optional curricular unit of the third year of the Major degree in Illustration and Drawing, and complements the contents of this study cycle regarding the knowledge on the Performing Arts and its underlying areas and disciplines, with which students will surely contact in different present and future contexts, as professionals in the area of ¿¿Drawing and Illustration, but also Scenography, Light Design, Tattoo, Costume Design, Make-up, and other technical areas and disciplinary subjects also covered by this cycle of studies.

UFC IV - Adult and Geriatric Nursing

Details
Category: Discipline
  • Bolander, V. R. (2006). Enfermagem Fundamental. Abordagem Psicofisiológica. Loures: Lusodidata, Elkin, M.K., Perry, A.G., & Potter, P.A. (2005). Intervenções de enfermagem e procedimentos clínicos, 2ª ed. Loures: Lusodidacta Lewis, I., Dirksen, S., Heitkemper, M., Bucher, I., & Cameram, I. (2011). Medical- Surgical Nursing: Assessment and Management of Clinical Problems (8 ed.). St. Louis: Mosby. Manley,K;& Bellilan,L. (2003). Enfermagem Cirúrgica- Prática avançada. Lisboa: Lusociência. Phipps, W. et al (2010). Enfermagem Médico-Cirúrgica Perspetivas de Saúde e Doença. 8ª Edição, Loures: Lusodidacta. Traversat, et al (2003). Cuidados de Enfermagem. Fichas Técnicas Cuidados de Enfermagem, cuidados técnicos centrados na pessoa cuidada, 3ª ed. Lisboa: Lusociência
  • Nursing
  • 4001
  • 21787
  • UFC IV - Adult and Geriatric Nursing
  • IPLUSO4001-21787
  • 3
  • 17
  • 0
  • 4
  • Sim
  • Português
  • Given the specific nature of the Curricular Unit (internship), the activities developed in the clinical context ? ?on Job? training ? will allow supervised reflection in action, a strategy that, according to the ?New School? currents, facilitates the acquisition of knowledge, attitudes and values fundamental to any profession that, during training, requires ?immersion in practice?, namely Nursing.
  • Mandatory
  • Analyze information about the adult / elderly / family client for the conception of nursing care; Evaluate the client's situation, its complexity and solve it through research, rationality and recourse to acquired knowledge and experience; Carry out an assessment of the relevant data for problem identification taking into account their capabilities; Understand the basic pathophysiological processes, fundamental for semiological analysis and pharmacotherapeutic approach; Know the various drugs and pharmacological principles; Apply the principles of preparation and administration of drugs commonly used in hospitals; To substantiate and document the nursing interventions developed with the client; Apply in clinical practice the results of research, valid, relevant and appropriate to the clinical situation; Manage your time by organizing customer care; Analyze risky practices in caring, designing resolution strategies.
  • Students in clinical education, integrated into the multidisciplinary health team and under supervision, provide medical-surgical nursing care in the context of Adults and the elderly using the scientific methodology taught and the skills of the general care nurse in the field of care provision and management.
  • O ensino clínico tem início e encontra-se organizado em quatro grupos, de acordo com as datas definidas para cada um: 2 de março a 18 de abril de 2026; 20 de abril a 23 de maio de 2026; 25 de maio a 27 de junho de 2026; 29 de junho a 30 de julho de 2026.

    Recorda-se que o/a estudante deverá cumprir um total de 150 horas em cada uma das áreas - Médica e Cirúrgica -, conforme o plano da unidade curricular e a distribuição prevista do ensino clínico.

    Os instrumentos de avaliação a utilizar serão:

    • Ficha de Avaliação do desempemho do estudante em ensino clínico - Orientador Externo (OE)
    • Ficha de avaliação de Estudo Caso (EC)
    • Ficha Docente - Orientador Interno(OI).

    A classificação final do ensino clínico é apurada de acordo com a seguinte fórmula: OE (55%) + EC (25%) + OI (20%) = 100%. Para efeitos de aprovação à unidade curricular, o/a estudante não poderá obter classificação inferior a 9,5 valores em qualquer uma das três componentes que a integram (OE, EC e OI). 

    Em articulação com este critério, e para efeitos de aproveitamento final, os estudantes deverão igualmente obter a classificação mínima de 9,5 valores em cada uma das áreas de estágio (Medicina e Cirurgia), ou seja, 9,5 valores na área médica e 9,5 valores na área cirúrgica. Salienta-se ainda que o/a estudante que reprovar em uma das áreas referidas terá de repetir na íntegra todo o estágio de Adulto e Idoso.

     

  • Semestral
  • The Clinical Training Unit, Adult and Elderly Nursing - UFCIV, will be held in units hospitals, in the Medicine and Surgery services. Students will be distributed for 10 weeks e in those areas, with a total workload of 300 hours, It is mandatory to be present, with a limit of absences of 10%, in a total of 30 hours, when properly justified.

Didática da História e Geografia de Portugal

Details
Category: Discipline
  • Educação Básica (L) (IPLUSO)
  • 6127
  • 27442
  • Didática da História e Geografia de Portugal
  • IPLUSO6127-27442
  • 3
  • 4
  • 0
  • 4
  • Não
  • Português
  • Semestral

Critical Reflections

Details
Category: Discipline
  • Berger, J. (2023). Modos de ver. Fósforo. Lacque-Labarthe, P. (2000). A Imitação dos Modernos: Ensaios sobre Arte e Filosofia. Org. Virginia de Araújo Figueiredo e João Camillo Penna. Paz e Terra. Lacque-Labarthe, P. (2011 [1980]). O paradoxo e a mimese. Trad. Tomás Maia. Projecto Teatral. Lawtoo, N. (2013). The Phantom of the Ego: Modernism and the Mimetic Unconscious. Michigan State University Press. Maia, T. (2022). Vida a crédito: arte contemporânea e capitalismo financeiro. Sistema Solar (Documenta). Mondzain, M. J. (2015 [2007]). Homo spectator: ver > fazer ver. Trad. Luís Lima. Orfeu negro. Mondzain, M. J. (2009). A imagem pode matar? Trad. Susana Mouzinho. Nova Veja. Broome, J., Pereira, A., & Anderson, T. (2018). Critical thinking: Art criticism as a tool for analysing and evaluating art, instructional practice and social justice issues. International Journal of Art & Design Education, 37(2), 265-276.    
  • Drawing
  • 6947
  • 26026
  • Critical Reflections
  • IPLUSO6947-2-26026
  • 1
  • 5
  • 0
  • 4
  • Não
  • Português
  • This Curricular Unit adopts a transdisciplinary approach in which the syllabus articulates contributions from artistic studies, philosophy, and social sciences. The oral presentation is supported by the analysis and commentary of artistic images and text excerpts and may use other audiovisual materials, such as film excerpts, videos, or interviews. Whenever possible, the theoretical exposition is articulated with the participation of the students through the valorisation and welcoming of questions, the opening of space for debates, flipped classroom, accompanied writing exercises during the classroom, study visit reports and the scheduling of individual presentations by the master's students.
  • Mandatory
  • This Curricular Unit aims to encourage critical thinking about the role of artistic images vis-à-vis the omnipresence of images in the contemporary world, providing analytical and critical tools that help the master's student to: Generically understand how visual representations participate in subjectivation processes (self-image, volitions and behaviors) in thecontext of our mimetic condition (articulating concepts such as mimetic unconscious, imitation, identification and contagion). Differentiate the artistic image from other visual representations regarding its impact on subjectivation processes (estrangement of theworld and disidentification). Problematize the emancipatory and critical potential of artistic images in consumer society (the artistic image as pharmakon). Apply the conceptual bases mentioned above in the analysis of artistic images in the context of debates, oral presentations and writing ofan article about case studies.
  • Introductory Module: critical yhinking about and through artistic images Module 1: The civilization of the image and the artwork as a Pharmakon 1.1 Homo mimeticus (representation, imitation, identification, construction of subjectivities, the ambiguity of mimesis) 1.2 The image that gives us birth 1.3 The image that absorbs us 1.4 The artwork as a Pharmakon Module 2: Case Studies   This Curricular Unit elaborates on the thought of philosophers and art critics such as John Berger, Philippe Lacoue-Labarthe, Nidesh Lawtoo, Peter Sloterdijk, Marie-José Mondzain, Georges Didi-Huberman and Tomás Maia.
  • Esta UC segue um método de avaliação contínuo e presencial.

    Ponderação da Avaliação:

    10% - Assiduidade, pontualidade e participação em aula (alunos regulares: 75% presenças em aula obrigatória; alunos trabalhadores-estudantes: 30% presenças obrigatórias).50% 50% Trabalhos práticos desenvolvidos em aula (apresentações orais, debates, exercícios de aplicação teórico-práticos, resumo crítico sobre obras, filmes ou textos)

    20% Relatório de visita de estudo elaborado em aula.

    20% Ensaio crítico sobre um tema, texto ou filme.

     

    Exame de Recurso / Época Especial:

    O exame de recurso será dividido em duas partes: a submissão de todos os trabalhos realizados ao longo do semestre, que contará 50%, e a apresentação e defesa oral dos mesmos, que também terá um peso de 50%.

     

    This UC follows a continuous, in-person assessment method.

    Assessment Weighting:

    10% - Attendance, punctuality, and class participation (regular students: 75% mandatory class attendance; working students: 30% mandatory attendance).

    50% Practical work developed in the classroom (oral presentations, debates, theoretical and practical application exercises, critical summaries of works, films, or texts)

    20% Study visit report prepared in class.

    20% Critical essay on a topic, text, or film.

     

    Resit Exam:

    The resit exam will be divided into two parts: the submission of all work completed throughout the semester, which will count for 50%, and the oral presentation and defence of the work, which will also count for 50%.

  • Semestral
  • The discipline investigates the role of artistic images in the formation of subjectivity and their critical potential in relation to contemporary visual culture.

Seminar in Art Research

Details
Category: Discipline
  • Alpers, Svetlana. ; “The Museum as a Way of Seeing” in Exhibiting Cultures: The Poetics and Politics of Museum Display. Ivan Karp & Steven D.Lavine (eds.). , London: Smithsonian Institution Press. , 1999 (25-32.) Berman, Marshall; “Modernidade Ontem, Hoje e Amanhã” in Tudo o que é Sólido Dissolve-se no Ar. A Aventura da Modernidade., Lisboa: Edições 70., 1982 ( 15-40) Youngblood, Eugene; “The Artist as Ecologist” in Expanded Cinema, , 1970 (345-351.)
  • Visual Artes and Digital Media
  • 7066
  • 26049
  • Seminar in Art Research
  • IPLUSO7066-26049
  • 1
  • 10
  • 0
  • 4
  • Não
  • Português
  • Theoretical-practical study based on the analytical and critical observation of paradigmatic works of contemporary art, accompanied by the contextualized study of circles of community, minority or peripheral artistic production in the global context; study and analysis of seminal contemporary texts by authors, theorists and artists of our time, exploring their relationship with the history of visual culture and politicalsocial history; study of documents and documentary films about artistic production and its relationship with new media and modes of communication in the digital economy; study of the web, social networks and virtual reality as new creative platforms.
  • Mandatory
  • Each topic is studied with the program support the observation of art and cultural objects (texts, films, ...) in the classroom and in the exercise of drafting critics. The aim of the course focuses on the skills of reflection on the contemporary art, good observation and interpretation of cultural elements produced by different social worlds, deepening the relationship with the arts in various domains and multiple instances of communication.
  • 1. 1.1. In-depth notions of art and visual culture; 1.2. Critical analysis of European and American cultures in the 20th century: study of issues related to modernity and avant-garde: ephemeral action, break with tradition and hybridity; 1.3. Presentation, analysis and discussion of the notion of contemporary times and the museum crisis. 2. Visual Culture and contemporary political and aesthetic debates: 2.1. Artistic production and contemporary movements: civil rights, feminism, migrations, communitarianism and minorities, queer culture, post-colonialism and decolonialism; 2.2. Disciplines and communicational and technological hybridization. 3. Artistic production methodologies 3.1. The global communication society and the web: particularisms and aesthetic hegemonies; documentation and appropriationism; transmediality; 3.2. The theoretical and laboratory processes of individual projects: organization of information, experimentation and possibility of formalization and exhibition.
  • Os estudantes deverão realizar um trabalho de investigação teórico-prático com vista ao desenvolvimento de um projeto pessoal de criação artística, documentando o processo de reunião de informação, estabelecimento de uma metodologia, ensaios e inflexões no processo. O trabalho final deve ser apresentado à turma e defendido teoricamente pelo estudante, valendo o trabalho produzido 30% da avaliação final e a apresentação pública 30% da avaliação final; os restantes 40% referem-se à qualidade de participação nas aulas, sobretudo nos momentos de debate crítico e reflexão conjunta com o docente ao longo do semestre.

  • Semestral
  • Curricular unit dedicated to developing critical reflection skills on contemporary art.
  1. Intellectual Property and Commercial Law
  2. Laboratory Techniques in Forensic Biology and Genetics
  3. Economics
  4. Investments Analysis

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