- Details
- Category: Discipline
- Não
- The Pre-Production CU aims to provide students with essential knowledge for the preparation and survey of an audiovisual production. To this end, it addresses the essential areas ranging from writing to distribution as areas to be taken into account when preparing a project.
- Semestral
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Teste de avaliação
dd-mm-yyyy
30%
Portfolio
dd-mm-yyyy
40%
(...)
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- Production Design, Production Definition and Structure, Positions, Functions and Responsibilities of the different cinematographic areas, Production Phases and their implications; Structuring documents of the cinematographic activity. Study and elaboration of the General Production Schedule, Work Maps, Budget, Service Sheets and Production Dossier, Authorization Requests, Introduction to the applied and practical study of the Movie Magic/Scheduling software; Support and financing
- Provide students with tools and knowledge of practical production based on theoretical knowledge, in order to enable their future autonomy in the job market in the area of Audiovisual Production. How to equate a project from the point of view of its Technical, Artistic, Logistical and Financial requirements. Study and reflection from IDEA to SCREEN
- Mandatory
- This UC follows a continuous and face-to-face assessment method, and aims to gradually equip students with the necessary knowledge to develop audiovisual projects. In addition, an individual written test is required.
- Português
- The Independent Film Producers Survival Guide, a business and legal sourcebook (Gunnar Erickson, Harris Tulchin and Mark Halloran)
- 4
- 0
- 4
- 1
- IPLUSO6142-22268
- Pre-Production
- 22268
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- Visual culture is the discipline that will provide students with a broad knowledge of visual art, from the beginnings of humanity to the present day, through critical and historical concepts that contribute to a broad understanding of the images that we routinely see and manipulate.
- Semestral
O recurso à Inteligência Artificial não é considerada uma ferramenta de trabalho nesta UC, sob qualquer circunstância, uma vez que esta UC visa exercitar no estudante a capacidade de adquirir e desenvolver a sua cultura visual de modo a poder construir um discurso próprio, coerente e reflexivo sobre objetos visuais e a visualidade contemporânea, aplicando os fundamentos teóricos abordados na aula a exemplos práticos. Neste sentido, assume-se que todas as adversidades que poderão surgir (bloqueios, dificuldade em organizar o pensamento, o discurso, aplicar e articular conceitos e ideas, etc.) fazem parte do processo de aprendizagem e devem resultar do exercício e esforço intelectual, e natural, do estudante, de quem se espera uma gradual aprendizagem e melhoramento destes aspectos ao longo do semestre.
A avaliação é contínua, sendo composta por:
50% Discussões orais, e relatórios escritos ao longo das aulas, de tópicos dos conteúdos programáticos em articulação textos da bibliografia.
· 40% Teste escrito sobre os conteúdos programáticos.
· 10% Avaliação contínua, intercalar e final com critérios de assiduidade (75% de presenças), participação e pontualidade.
A avaliação em época de recurso implica a realização de uma Prova Oral.
A avaliação em época especial implica a apresentação oral dos trabalhos solicitados ao longo da disciplina, seguida de uma prova oral .
Os critérios gerais de avaliação desta UC centram-se:
-
na integridade e autenticidade intelectual, académia e artística;
-
na capacidade de articulação de conceitos e procedimentos provenientes da Cultura Visual e da interpretação de imagens;
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atenção e participação nos debates em aula;
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realização de trabalho autónomo;
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capacidade de formular questões relativas aos conteúdos programáticos e estabelecer relações críticas entre os mesmos;
Os critérios específicos de cada exercício serão explicitados em cada enunciado e de acordo com a tipologia e objetivos de cada exercício que pode alterar de ano para ano.
The use of Artificial Intelligence is not considered a work tool in this subject, under any circumstances, since this subject aims to exercise the student’s ability to develop their critical thinking and thereby to improve their own artistic identity and authenticity. In this sense, it is assumed that all adversities that may arise (blockages, difficulty in organizing thought, speech, applying and articulating concepts and ideas, etc.) are part of the learning process and must result from the exercise of an intellectual and natural effort developed by the student, from who is expected to gradually learn and improve these aspects throughout the semester.
The assessment is continuous, consisting of:
50% Oral discussions and written reports throughout the lessons on topics from the syllabus in articulation with texts in the bibliography.
40% Written test on the syllabus contents.
10% Continuous, mid-term and final assessment with criteria of attendance (75% attendance), participation and punctuality.
Assessment during the appeal period involves carrying out an Oral Test.
Assessment during the special period involves the oral presentation of the work requested throughout the course, followed by an Oral Test.
The general evaluation criteria for this Curricular Unity focus on:
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intellectual, academic and artistic integrity and authenticity;
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in the ability to articulate concepts and procedures from Visual Culture and the interpretation of images;
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attention and participation in class debates;
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carrying out autonomous work;
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ability to formulate questions regarding the syllabus and establish critical relationships between them;
The specific criteria for each exercise will be detailed in each exercise statement according to the type and objectives of the exercise which may change yearly.
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- Introduction to Visual Culture: Visual literacy and the culture of the gaze; Visual paradigms; Gender and gaze; Culture, image and mediation; Semiotics and Signs. Reciprocity between cinema and other artistic fields: Literature, Theatre, Painting, Music, Dance, Photography, Video Art, Architecture. Images, power and politics: Visual Technologies; The myth of photographic truth; Connotation and meaning of images; Images, Ideology and icons; Cultural Industries; Politics of reproducibility.
- To understand the term Visual Culture as an interdisciplinary field of study. To provide a general knowledge of the history of images (production techniques and composition methods) so that the student is able to recognize an image and identify it with the time of its production. To know and apply basic concepts related to the analysis of visual culture in art, photography, cinema or advertising. To interpret the content of images, to analyze their social impact and discuss their purposes and ideological implications. To develop analytical and critical skills in relation to works or artistic objects that show formal intertextuality.
- Mandatory
- The teaching methodology consists of oral and visual presentation (Slideshow, movies and documentaries, artworks) followed by debate in class . The discussion and learning process is based on the analysis and study of artistic objects, from painting to photography, cinema, video art, installations and advertising. Students carry out practical reflection exercises and in-class written reports in which the methods and theories covered in class are applied. All teaching materials will be available on Moodle in advance and will be assigned to each weekly lesson. Students are advised to consult them beforehand so that they are prepared to discuss and ask questions in class(Fliped Classroom). In addition, Moodle is also the platform for communication and interaction with students regarding announcements, lesson planning, the distribution of assignments and the timetable for the various assessment moments.
- Português
- BARTHES, Roland, Retórica da Imagem, “Retórica da Imagem”, in O óbvio e o obtuso, Lisboa: Edições 70,1984 BERGER, John, Modos De Ver. Rio de Janeiro: Rocco,1999 ELKINS, James, Visual Cultures. Chicago: Intellect Books,2010 FOSTER, Hal, Vision and Visuality, Seattle, Bay Press, 1988 JOLY, Martine, Introdução à Análise da imagem, Lisboa: Edições 70, 2007 MEDEIROS, Margarida;CASTRO, Teresa,“O Que É a Cultura Visual?” Revista de Comunicação e Linguagens, 2017,pp. 1–7 MIRZOEFF, Nicholas: Introduction to Visual Culture, London: Routledge, 2009 STURKEN, Marita; CARTWRIGHT,Lisa: Practices of Looking. An Introduction to Visual Culture,Oxford: Oxford U. Press, 2003 ROSE, Gillian, Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, 2011
- 4
- 0
- 4
- 1
- IPLUSO6142-7243
- Visual Culture
- 7243
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- In this UC the student will learn the technical forms of writing for different formats, namely film and television scripts. Active observation and its translation into words and exploration with stimuli are part of the writing process as the basis and support of a film.
- Semestral
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Exercício Final de avaliação
dd-mm-yyyy
70%
Trabalhos ao longo do semestre
dd-mm-yyyy
30%
(...)
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- The creative process and practical tools for organizing and materializing ideas. Dynamic word exercises and guided narrative paths with diversified themes. Active observation and its translation into words, exploration with stimuli. Writing as the basis and support of the film and the expansion of the potential of the descriptive word. The principles of screenplay writing for cinema and the preparation of the Note of Intent.
- Develop creative practices to materialize ideas through mental organization and textual production. Test ways to expand the written word and build small narratives of different styles and genres. Identify the narrative potential of images from viewing film excerpts. Explore and analyze universes of short and feature films and promote a critical sense. Learn and apply the basic principles of writing a screenplay.
- Mandatory
- This UC follows a continuous and face-to-face assessment method, and aims to provide students with the necessary knowledge to write the various literary pieces that make up an audiovisual writing dossier. The triggers are diverse, with mind maps, images and music.
- Português
- ASHIEL HAMMET, O Falcão de Malta , Ed. Livros do Brasil, Coleção Vampiro, 2016
- 4
- 0
- 6
- 1
- IPLUSO6142-22269
- Writing for Film and Television
- 22269
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- This UC aims to teach the principles of video editing and post-production applied to the aesthetic characteristics of a given audiovisual product, thus being a theoretical-practical discipline.
- Semestral
A avaliação é contínua e presencial, e pauta-se pela realixação de exefrcícios intercalares e a realização de um exercício final.
Descrição
Data limite
Ponderação
Teste de avaliação
dd-mm-yyyy
30%
Portfolio
dd-mm-yyyy
40%
(...)
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- Concepts, aesthetics and technique of filmic image post-production Mounting Video image analysis for cutting justification Rhythm and composition exercises through cutting. Visual effects Film image composition Image and file formats Keying, Matte and Despill notions Masks, Rotoscopy, Cleaning and Tracking Color Correction vs Color Grading Approaches Digital image post-production Viewing and analysis of case studies Techniques, methodologies and post-production tools
- This course aims to provide students with the ability to design and produce an audiovisual product in accordance with the guidelines set out in the syllabus. Learn and apply video editing and post-production principles applied to the aesthetic characteristics of a given audiovisual product.
- Mandatory
- Studio simulation offers essential practice with professional editing and post-production software. Critical analysis with cutting exercises helps develop rhythm and fluidity in editing. Visual effects workshops apply techniques such as keying and tracking to cinematic compositions. Projects based on case studies encourage thorough practice and critical reflection in post-production. The correction and grading lab allows you to adjust palettes for better narrative support. Collaborative projects simulate the professional environment, promoting effective practice and communication.
- Português
- - AA.VV. - (1993) Sound And Vision: The Music Video Reader, in Simon Frith, Andrew Goodwin e Lawrence Grossberg (org.), London, Routeledge. - AA.VV. (2007) Motion Blur 2.0: Multidimensional Moving Imagemakers, London, Laurence King. - AA.VV. (2005) On Air:The Visual Messages and Global Language of MTV (org.) Robert Klanten, Briga Meyer, Cristián Jofré, Berlin, Die Gestalten Verlag. - SCHWARTZ, Lara et al. (2007). Making Music Videos, New York, Billboard Books. - HANSON, Matt (2006). Reinventing Music Video, Hove, Rotovision,
- 4
- 0
- 6
- 1
- IPLUSO6142-22274
- Edition
- 22274
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- This UC represents the introduction to the principles of cinematographic lighting, which will work side by side with camera operation.
- Semestral
avaliação nesta UC é feita através de avaliação contínua, da assiduidade e pontualidade, da realização de exercícios práticos e um trabalho final.
Descrição
Data limite
Ponderação
Teste de avaliação
dd-mm-yyyy
30%
Trabalho final
dd-mm-yyyy
50%
Avaliação contínua
20%
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- The lighting component combined with the technical knowledge of image and sound capture, addressed in two parts: one dedicated especially to interviews in the institutional, documentary or television context and a second part to the manipulation of equipment for the creation of the cinematographic image for fictional content . Organization and management of camera equipment, sound, lighting and machinery. Guidance in the creation of a structure of a filming plan for the construction of a fictionalized scene.
- Equip the student with conceptual skills and lighting techniques, namely the 3 points of light, use of accessories and consumables, such as filters, frames and flags, values ¿¿for correct exposure
- Mandatory
- nnovative methodologies to support the teaching-learning process are used according to the projects.
- Português
- Armando Sant´Anna, I. R. (2008). PROPAGANDA ¿ Teoria ¿ Técnica ¿ Prática. S.Paulo: Thomson Pioneira. Antero, J. (2009). Operações de Câmara. Lisboa: Edições Lusófonas. Verne and Sylvia Carlson (1985) Professional Lighting Handbook - London - Focal Press Box, Harry C (1997) - Set Lighting Technician's Handbook -USA- Focal Press Brown, Blain (1992) Lighting -USA - Focal Press Malkiewicz , Kris (1998) - Cinematography -USA - Columbus Books
- 4
- 0
- 4
- 1
- IPLUSO6142-22273
- Lighting Workshop
- 22273
- 6142
- Audiovisual Content Production