- Details
- Category: Discipline
- Não
- Discipline dedicated entirely to the production of content for special effects. Composed of 1 teacher, dedicated to the creation of special effects.
- Semestral
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Teste de avaliação
70%
Assiduidade
30%
Exame de Recurso terá uma estrutura semelhante ao do Teste Teórico e com peso de 100%
por definir
100%
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- Description of contents Introduction to the history of post-production The beginning of the history of Special Effects and their use. Introduction to Davinci Resolve Software Basic tools Techniques used Exercises
- Understand and know how to use the main linguistic/aesthetic concepts of various visual effects. Use the terminology of special effects production appropriately. Acquire additional knowledge about all the terminology and functions of the tools used in Post-Production. Create technical and creative specificities in order to enable the student to develop basic work in the Post-Production area.
- Mandatory
- The methodology begins with a set of theoretical and conceptual presentations, then evolves into a practical approach focused on special effects. This approach allows each student to develop general skills in audiovisual production, in addition to acquiring more specific knowledge in the area of ¿¿their interest. Assessment is continuous, consisting of an individual component with a written test.
- Português
- Steve Wright (2010), Digital compositing for film and video - ELSERVIER INC - UK London ISBN: 978-0-240-81309-7
- 4
- 0
- 4
- 2
- IPLUSO6142-22279
- Post-Production Workshop
- 22279
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- Stimulate the deliberate use of the resources of Portuguese Foster discourse competencies with a view to achieving a greater degree of intent in communication Apply writing techniques with a view to more effective communication Develop students' ability to analyse texts critically Encourage the production of various types of texts, considering correction of writing (spelling and grammar) as well as the requirements of the type of text in question.
- Semestral
A avaliação contínua da disciplina resultará da ponderação entre as classificações obtidas nos seguintes elementos de avaliação, baseada, sobretudo, na produção dos alunos:
Exemplo:
Descrição
Data limite
Ponderação
a Trabalho individual - Entrega e apresentação de trabalho individual
4.ª Aula (entrega e apresentação)
20%
b Trabalho de grupo - entrega e apresentação de trabalho de grupo
8.ª Aula (entrega e apresentação
20%
c Trabalho individual - Entrega e apresentação
12.ª Aula (entrega e apresentaçã
20%
d Comunicação em situação profissional - simulação e desempenho de papéis (role-play) no contexto profissional 15.ª Aula (entrega e apresentação) 20% e Empenho, assiduidade e pontualidade Continuo 20% TOTAL 100% As datas poderão ser ajustadas, em função do calendário académico.
- Language as a communication tool; Recap of aspects of the language with relevance to the projects to be undertaken; From the sentence to the paragraph: strategies to develop an idea and write a paragraph Elements of textuality: pragmatic and linguistic; The writing of academic texts: Some types of academic texts: critical review, report, abstract, monography, dissertation, thesis Aspects to consider when writing academic texts: planning, information gathering (sources), structure, revision Pre-textual, textual and post-textual elements Referencing sources (APA and Portuguese Norm) The issue of plagiarism The writing of texts from the business/professional area: Some types of business/professional texts Aspects to consider when writing business/professional texts: planning, information gathering, structure, revision Reading and analysis of texts from a number of authors and in diversified registers.
- The CU aims to produce the following learning outcomes: Knowledge of linguistic and non-linguistic strategies used explicitly and implicitly to achieve different communicational goals Ability to reflect critically on the texts produced by others and by the students themselves, considering their respective communicational objectives Ability to produce texts in diversified contexts and with diversified goals, autonomously, ensuring they are correct in spelling and grammar, as well as possess internal cohesion and coherence Ability to articulate arguments in a coherent and structured.
- Mandatory
- The use of technology is considered as innovative methodology to support the teaching-learning process. Encouraging active student participation through: a) Presentation of summaries of given material; b) Presentation of individual work and group work c) Debates of ideas, which aim to develop the critical perspective, verified in the writing and oral presentation of the work.
- Português
- Cintra, Lindley, & Cunha, Celso (1996). Nova Gramática do Português Contemporâneo . 12.ª edição. Lisboa: Livraria Sá da Costa. Duarte, Inês (2000). Língua Portuguesa, Instrumentos de Análise . Lisboa: Universidade Aberta. Lopes, Óscar & Saraiva, A. J. (1996). História da Literatura Portuguesa . 17.ª edição. Porto: Porto Editora. Raposo, Eduardo Paiva & al . (2013). Gramática do Português . Lisboa: Fundação Calouste Gulbenkian. Nascimento, M. Fernanda Bacelar do, Marques, Lúcia Garcia & Cruz, Luísa Segura (1984). Português Fundamental. Vocabulário e Gramática. Vol. I. Lisboa: INIC/CLUL. Neves, Marco (2019). Gramática para todos. O português na ponta da língua. Lisboa: Edições Guerra e Paz. Neves, M. (2020). Pontuação em Português. Guia prático para escrever melhor . Lisboa: Guerra e Paz Editores.
- 4
- 0
- 4
- 2
- IPLUSO6142-4399
- Portuguese Language
- 4399
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- The UC Photography Direction Workshop is, in the course, the corollary of training in lighting acquired previously at the UC Lighting Workshop. In developing the acquired bases, the student learns and apprehends the importance of depth of field, texture and volume, chrominance and luminous effects achieved through light. It is also in this UC that the student learns and understands the importance of the differences between long and short focal lengths, essential for the narrative itself. The field of action of this UC is imagery.
- Semestral
Descrição dos instrumentos de avaliação (individuais e de grupo) ¿ testes, trabalhos práticos, relatórios, projetos... respetivas datas de entrega/apresentação... e ponderação na nota final.
Exemplo:
Descrição
Data limite
Ponderação
Trabalhos teórico-práticos
dd-mm-yyyy
30%
Portfolio
dd-mm-yyyy
40%
Avaliação Contínua
dd-mm-yyyy
30%
Regras de Conduta: É expectável que os alunos sejam assíduos e pontuais, cumpridores das regras e normas da instituição de ensino e que tenham aproveitamento positivo no final desta UC.
- Handling digital cameras from a technical and aesthetic point of view of image capture for cinema Analyze and design the photograph of a fictional scene The aesthetic choice for a given narrative genre The professional imaging team: camera, lighting and machinery Execution of photographic styles adaptable to cinematographic narrative The differences in photography between fiction, documentary and advertising
- Acquire aesthetic and technical knowledge in approaching a certain cinematographic genre and executing camera movements combined with the design of light and marking of actors. Aesthetic knowledge of advertising photography.
- Mandatory
- Team Simulation Labs: Team practice simulating camera, lighting and machinery functions in controlled scenarios. Critical Analysis of Styles: Interactive film analysis sessions focused on light, color and composition adapted to the narrative. Photographic Aesthetics Workshops: Practical workshops to recreate photographic styles in genres such as suspense and comedy. Project-Based Learning: Development of a fictional scene to apply technical and aesthetic photographic choices. Comparative Study of Formats: Production of short films in fiction, documentary and advertising to compare styles. Mentoring with Professionals.
- Português
- Brown, Blain (2014) - The Filmmaker's Guide to Digital Imaging, USA focal Press Stump, David (2014) - Digital Cinematography, USA Focal Pres Brown, Blain (1992) Lighting -USA - Focal Press Uva, Michael G. and Sabrina (2002) Basic Grip Book -USA - Focal Press Alton, J. (1949). Painting with Light. Los Angeles: ASC. IMAGO. (2001). Making Pictures: A century of European Cinematography. Londres: Aurum.
- 4
- 0
- 4
- 2
- IPLUSO6142-22277
- Cinematography Workshop
- 22277
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- This UC represents the introduction to the principles of cinematographic lighting, which will work side by side with camera operation.
- Semestral
avaliação nesta UC é feita através de avaliação contínua, da assiduidade e pontualidade, da realização de exercícios práticos e um trabalho final.
Descrição
Data limite
Ponderação
Teste de avaliação
dd-mm-yyyy
30%
Trabalho final
dd-mm-yyyy
50%
Avaliação contínua
20%
Adicionalmente poderão ser incluídas informações gerais, como por exemplo, referência ao tipo de acompanhamento a prestar ao estudante na realização dos trabalhos; referências bibliográficas e websites úteis; indicações para a redação de trabalho escrito...
- The lighting component combined with the technical knowledge of image and sound capture, addressed in two parts: one dedicated especially to interviews in the institutional, documentary or television context and a second part to the manipulation of equipment for the creation of the cinematographic image for fictional content . Organization and management of camera equipment, sound, lighting and machinery. Guidance in the creation of a structure of a filming plan for the construction of a fictionalized scene.
- Equip the student with conceptual skills and lighting techniques, namely the 3 points of light, use of accessories and consumables, such as filters, frames and flags, values ¿¿for correct exposure
- Mandatory
- nnovative methodologies to support the teaching-learning process are used according to the projects.
- Português
- Armando Sant´Anna, I. R. (2008). PROPAGANDA ¿ Teoria ¿ Técnica ¿ Prática. S.Paulo: Thomson Pioneira. Antero, J. (2009). Operações de Câmara. Lisboa: Edições Lusófonas. Verne and Sylvia Carlson (1985) Professional Lighting Handbook - London - Focal Press Box, Harry C (1997) - Set Lighting Technician's Handbook -USA- Focal Press Brown, Blain (1992) Lighting -USA - Focal Press Malkiewicz , Kris (1998) - Cinematography -USA - Columbus Books
- 4
- 0
- 4
- 1
- IPLUSO6142-22273
- Lighting Workshop
- 22273
- 6142
- Audiovisual Content Production
- Details
- Category: Discipline
- Não
- Visual culture is the discipline that will provide students with a broad knowledge of visual art, from the beginnings of humanity to the present day, through critical and historical concepts that contribute to a broad understanding of the images that we routinely see and manipulate.
- Semestral
O recurso à Inteligência Artificial não é considerada uma ferramenta de trabalho nesta UC, sob qualquer circunstância, uma vez que esta UC visa exercitar no estudante a capacidade de adquirir e desenvolver a sua cultura visual de modo a poder construir um discurso próprio, coerente e reflexivo sobre objetos visuais e a visualidade contemporânea, aplicando os fundamentos teóricos abordados na aula a exemplos práticos. Neste sentido, assume-se que todas as adversidades que poderão surgir (bloqueios, dificuldade em organizar o pensamento, o discurso, aplicar e articular conceitos e ideas, etc.) fazem parte do processo de aprendizagem e devem resultar do exercício e esforço intelectual, e natural, do estudante, de quem se espera uma gradual aprendizagem e melhoramento destes aspectos ao longo do semestre.
A avaliação é contínua, sendo composta por:
50% Discussões orais, e relatórios escritos ao longo das aulas, de tópicos dos conteúdos programáticos em articulação textos da bibliografia.
· 40% Teste escrito sobre os conteúdos programáticos.
· 10% Avaliação contínua, intercalar e final com critérios de assiduidade (75% de presenças), participação e pontualidade.
A avaliação em época de recurso implica a realização de uma Prova Oral.
A avaliação em época especial implica a apresentação oral dos trabalhos solicitados ao longo da disciplina, seguida de uma prova oral .
Os critérios gerais de avaliação desta UC centram-se:
-
na integridade e autenticidade intelectual, académia e artística;
-
na capacidade de articulação de conceitos e procedimentos provenientes da Cultura Visual e da interpretação de imagens;
-
atenção e participação nos debates em aula;
-
realização de trabalho autónomo;
-
capacidade de formular questões relativas aos conteúdos programáticos e estabelecer relações críticas entre os mesmos;
Os critérios específicos de cada exercício serão explicitados em cada enunciado e de acordo com a tipologia e objetivos de cada exercício que pode alterar de ano para ano.
The use of Artificial Intelligence is not considered a work tool in this subject, under any circumstances, since this subject aims to exercise the student’s ability to develop their critical thinking and thereby to improve their own artistic identity and authenticity. In this sense, it is assumed that all adversities that may arise (blockages, difficulty in organizing thought, speech, applying and articulating concepts and ideas, etc.) are part of the learning process and must result from the exercise of an intellectual and natural effort developed by the student, from who is expected to gradually learn and improve these aspects throughout the semester.
The assessment is continuous, consisting of:
50% Oral discussions and written reports throughout the lessons on topics from the syllabus in articulation with texts in the bibliography.
40% Written test on the syllabus contents.
10% Continuous, mid-term and final assessment with criteria of attendance (75% attendance), participation and punctuality.
Assessment during the appeal period involves carrying out an Oral Test.
Assessment during the special period involves the oral presentation of the work requested throughout the course, followed by an Oral Test.
The general evaluation criteria for this Curricular Unity focus on:
-
intellectual, academic and artistic integrity and authenticity;
-
in the ability to articulate concepts and procedures from Visual Culture and the interpretation of images;
-
attention and participation in class debates;
-
carrying out autonomous work;
-
ability to formulate questions regarding the syllabus and establish critical relationships between them;
The specific criteria for each exercise will be detailed in each exercise statement according to the type and objectives of the exercise which may change yearly.
-
- Introduction to Visual Culture: Visual literacy and the culture of the gaze; Visual paradigms; Gender and gaze; Culture, image and mediation; Semiotics and Signs. Reciprocity between cinema and other artistic fields: Literature, Theatre, Painting, Music, Dance, Photography, Video Art, Architecture. Images, power and politics: Visual Technologies; The myth of photographic truth; Connotation and meaning of images; Images, Ideology and icons; Cultural Industries; Politics of reproducibility.
- To understand the term Visual Culture as an interdisciplinary field of study. To provide a general knowledge of the history of images (production techniques and composition methods) so that the student is able to recognize an image and identify it with the time of its production. To know and apply basic concepts related to the analysis of visual culture in art, photography, cinema or advertising. To interpret the content of images, to analyze their social impact and discuss their purposes and ideological implications. To develop analytical and critical skills in relation to works or artistic objects that show formal intertextuality.
- Mandatory
- The teaching methodology consists of oral and visual presentation (Slideshow, movies and documentaries, artworks) followed by debate in class . The discussion and learning process is based on the analysis and study of artistic objects, from painting to photography, cinema, video art, installations and advertising. Students carry out practical reflection exercises and in-class written reports in which the methods and theories covered in class are applied. All teaching materials will be available on Moodle in advance and will be assigned to each weekly lesson. Students are advised to consult them beforehand so that they are prepared to discuss and ask questions in class(Fliped Classroom). In addition, Moodle is also the platform for communication and interaction with students regarding announcements, lesson planning, the distribution of assignments and the timetable for the various assessment moments.
- Português
- BARTHES, Roland, Retórica da Imagem, “Retórica da Imagem”, in O óbvio e o obtuso, Lisboa: Edições 70,1984 BERGER, John, Modos De Ver. Rio de Janeiro: Rocco,1999 ELKINS, James, Visual Cultures. Chicago: Intellect Books,2010 FOSTER, Hal, Vision and Visuality, Seattle, Bay Press, 1988 JOLY, Martine, Introdução à Análise da imagem, Lisboa: Edições 70, 2007 MEDEIROS, Margarida;CASTRO, Teresa,“O Que É a Cultura Visual?” Revista de Comunicação e Linguagens, 2017,pp. 1–7 MIRZOEFF, Nicholas: Introduction to Visual Culture, London: Routledge, 2009 STURKEN, Marita; CARTWRIGHT,Lisa: Practices of Looking. An Introduction to Visual Culture,Oxford: Oxford U. Press, 2003 ROSE, Gillian, Visual Methodologies: An Introduction to the Interpretation of Visual Materials. London: Sage, 2011
- 4
- 0
- 4
- 1
- IPLUSO6142-7243
- Visual Culture
- 7243
- 6142
- Audiovisual Content Production